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Symbolic gesture/geste symbolique

Banksy Mural – Bioresource, Inc. and 555 Nonprofit Studio/Gallery

Banksy Mural – Bioresource, Inc. and 555 Nonprofit Studio/Gallery

Artists from the 555 Nonprofit Studio/Gallery removed an endangered mural painting by the graffiti artist Banksy from a derelict site in Detroit. The owner of the site, Bioresource, Inc. subsequently filed suit with the Wayne County Circuit Court requesting the wall art’s restitution. The parties finally settled their dispute as the Company agreed to donate the mural to the Gallery, who paid the Company a symbolic amount.

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Bélier Malien – France, Jacques Chirac et Mali

Bélier Malien – France, Jacques Chirac et Mali

En novembre 1996, le Président de la République Française Jacques Chirac reçoit en cadeau un quadrupède en terre cuite aux formes massives et stylisées. L’objet, qui provenait d’un site pillé au Mali, sera restitué sous forme de don après négociations en janvier 1998.

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Buste d’un jeune garçon – Héritiers Gentili di Giuseppe et Art Institute de Chicago

Buste d’un jeune garçon – Héritiers Gentili di Giuseppe et Art Institute de Chicago

En 1999, les héritiers de l’important collectionneur d’art de confession juive Federico Gentili di Giuseppe ont contacté l’Art Institute de Chicago afin d’obtenir la restitution d’un buste de Francesco Mochi (« Buste d’un jeune garçon »). Ce buste avait été vendu en France lors d’une vente par la suite annulée par les juges français car constitutive de spoliation.

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Canon Tables – Western Prelacy of the Armenian Apostolic Church of America and J. Paul Getty Museum

Canon Tables – Western Prelacy of the Armenian Apostolic Church of America and J. Paul Getty Museum

The Canon Tables of the Zeyt’un Gospels were illegally separated from the manuscript sometime between 1915-1923. Having discovered that the Tables had been stolen and were held at the J. Paul Getty Museum in California, the Western Prelacy of the Armenian Apostolic Church engaged in a legal battle with the Getty regarding the restitution of the Tables. After five years, the two sides reached a settlement in 2015.

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Christ and the Samaritan Woman at the Well – Gross-Eisenstädt Heirs and Museum de Fundatie

Christ and the Samaritan Woman at the Well – Gross-Eisenstädt Heirs and Museum de Fundatie

In 1933, Jewish businessman and art collector Richard Semmel was forced to leave Berlin and sell parts of his art collection for economic survival. Among the works was the Italian painting Christ and the Samaritan Woman at the Well, which was bought by Dirk Hannema, a Dutch museums director. Since 1964, the painting has been in the Museum de Fundatie, which Hannema founded and to which he donated the painting.

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Cypriot Icon – Boy George and the Greek Orthodox Church in Cyprus

Cypriot Icon – Boy George and the Greek Orthodox Church in Cyprus

When the representative of the Greek Orthodox church of Cyprus, Bishop Porfyrios, watched a television interview with the British singer, Boy George, he discovered that an 18th century Cypriot icon was hanging in the singer’s living room. The artefact depicting Jesus Christ Pantokrator was displayed in the Cypriot Church of St. Charalambos, before it was allegedly looted during the Turkish invasion of 1974. At the request of the Bishop, Boy George immediately agreed to return the artefact and received a gift in return.

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La Bergère – Meyer Heirs and Fred Jones Jr. Museum of Art

 La Bergère – Meyer Heirs and Fred Jones Jr. Museum of Art

Raoul Meyer’s art collection, which included Camille Pissarro’s painting “La bergère rentrant des moutons”, was looted by Nazi troops during the occupation of France in early 1940s. Decades later, Meyer’s daughter and heir, Léone Meyer, discovered the painting at the Fred Jones Jr. Museum of Art at the University of Oklahoma, and initiated a lawsuit in the United States seeking its return. After a three-year litigation, the two sides reached a settlement in 2016. The latter was denounced by Ms. Meyer. Eventually, the lawsuit was dropped and ownership of the painting was transferred to the Fred Jones Jr. Museum of Art.

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Le Grand Pont – Weinmann Heirs and Yale University Art Gallery

Le Grand Pont – Weinmann Heirs and Yale University Art Gallery

The painting “Le Grand Pont”, by Gustave Courbet, was owned by Josephine Weinmann and her family, but after they were forced to flee Germany from Nazi persecution, the painting was purchased by Herbert Schaefer, a Nazi militant. When Schaefer later loaned the painting to the Yale University Art Gallery, Weinmann’s heirs sued for its return.

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Lighthouse With Rotating Beam – Flechtheim Heirs and Kunstmuseum Bonn

Lighthouse With Rotating Beam – Flechtheim Heirs and Kunstmuseum Bonn

The heirs of the art dealer and collector Alfred Flechtheim besought the Kunstmuseum Bonn for the restitution of the painting “Lighthouse With Rotating Beam” by Paul Adolf Seehaus, alleging that it was part of Alfred Flechtheim’s collection before he fled Nazi persecution. After consideration of the claim, the Museum decided to keep the painting, but agreed to reimburse the heirs for half its market value.

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Madonna and Child in a Landscape – Philipp von Gomperz Heirs and North Carolina Museum of Art

Madonna and Child in a Landscape – Philipp von Gomperz Heirs and North Carolina Museum of Art

In 2000, the North Carolina Museum of Art handed over the painting “Madonna and Child in a Landscape” to Philipp von Gomperz’s heirs after being presented with evidence that it had been looted by the Nazis. The heirs rewarded the Museum’s response by selling the painting to it at a price substantially below its market value.

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Madonna and Child with Wild Roses – Gross-Eisenstadt Heirs and Utrecht City Council

Madonna and Child with Wild Roses – Gross-Eisenstadt Heirs and Utrecht City Council

German-Jewish businessman Richard Semmel had an extensive art collection which he was forced to sell after fleeing Jewish persecution in Germany. Among this collection was the painting “Madonna and Child with Wild Roses” by Jan van Scorel.

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Portrait of Wally – United States and Estate of Lea Bondi and Leopold Museum

Portrait of Wally – United States and Estate of Lea Bondi and Leopold Museum

After having been taken from Lea Bondi, a Jew forced to flee Austria following the Anschluss, the painting “Portrait of Wally” by Egon Schiele was seized by the US Forces at the end of the war. The portrait was first returned by the US Restitution Division to the Austrian Federal Office for Preservation of Historical Monument (BDA).

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Sabre de El Hadj Omar Tall – France et Sénégal

Sabre de El Hadj Omar Tall – France et Sénégal

Le sabre avec fourreau, attribué à El Hadj Omar Tall, pris dans des circonstances encore obscures, a été conservé en France à la suite de la conquête de l’Empire Toucouleur, puis prêté à deux reprises au Sénégal avant d’être définitivement restitué par la France, en 2021, par le vote d’une loi de restitution issue d’une initiative politique française.

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St. Agatha Statue – St. Martin’s Church and Private Person

St. Agatha Statue – St. Martin’s Church and Private Person

In November 2012, Sotheby’s offered at auction a meter-tall statue of St. Agatha, by the Dutch sculptor Jan van Steffieswert (1465-1530). It was stolen in 1976 from St. Martin’s Church, in Gronsveld, the Netherlands.

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Sumpflegende – Héritiers Lissitzky-Küppers et Ville de Munich

Sumpflegende – Héritiers Lissitzky-Küppers et Ville de Munich

Après 25 ans de litige juridique et de négociation, le sort de « Sumpflegende », un tableau de Paul Klee prêté à une galerie allemande en 1926 puis confisqué par les Nazis au titre d’art « dégénéré », est scellé. En juillet 2017, les héritiers de Sophie Lissitzky-Küppers, laquelle avait prêté le tableau, concluent un accord avec la Ville de Munich et une fondation privée. L’œuvre reste exposée dans un musée munichois et les héritiers Lissitzky-Küppers sont indemnisés.

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Trésor de Béhanzin – France et Bénin

Trésor de Béhanzin – France et Bénin

En 1892, les militaires français pillent le palais de Béhanzin à Abomey afin d’asseoir le pouvoir colonialiste de la France dans la région du Bénin. Plus d’un siècle après, le Parlement français vote, par une loi de restitution dite spontanée, issue d’un projet de loi du gouvernement, la restitution de ce trésor à son pays d’origine.

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Vallée de la Stour – Héritiers Jaffé et La Chaux-de-Fonds

Vallée de la Stour – Héritiers Jaffé et La Chaux-de-Fonds

En 2006, la Ville de La Chaux-de-Fonds reçoit une demande de restitution pour le tableau « La Vallée de la Stour » de John Constable exposé au Musée des beaux-arts de La Chaux-de-Fonds. Le requérant représente les ayants droit héritiers de John et Anna Jaffé, dont les biens, y compris ce tableau, ont été spoliés par les Nazis durant la Deuxième Guerre mondiale. Après avoir d’abord refusé, la Ville accepte de restituer le tableau à l’automne 2017 suite à une procédure de conciliation judiciaire. Le Tableau est restitué aux héritiers le 12 mars 2018.

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