Due diligence
Mosaïques de Kanakaria – Autocephalous Greek Orthodox Church of Cyprus et Chypre c. Goldberg
Quatre mosaïques sont volées dans l’Eglise chypriote du village de Lythrankomi. Une dizaine d’années plus tard, elles sont achetées par Goldberg, une commerçante d’art américaine. L’Eglise chypriote finit par apprendre le lieu où se trouvent les mosaïques et la personne en possession de celles-ci. Peu après, l’Eglise chypriote et la République de Chypre introduisent une action en justice auprès des tribunaux de l’Etat de l’Indiana aux Etats-Unis.
Nature morte au tableau de Picasso – Héritiers Schlesinger et Phillips
En 1925, Ernst Schlesinger lègue à Johanna Meyer-Udewald l’usufruit d’une toile de Picasso (« Nature morte au tableau »). De confession juive, Johanna Meyer-Udewald est faite prisonnière par les Nazis et la toile passe par diverses mains avant d’arriver dans celles de Duncan C. Phillips, qui l’acquiert sans connaître son histoire.
Nedjemankh and His Gilded Coffin – Metropolitan Museum of Art and Egypt
The gilded Coffin of Nedjemankh, a priest of the ram-god Heryshef, was purchased in 2017 and exhibited in 2018 by the Metropolitan Museum of Art. Following an investigation by the Manhattan District Attorney’s office, the Met learned that the Coffin had been looted in 2011, during the Egyptian revolution. It also learned that it had received upon its purchase a false ownership history, fraudulent statements and fake documentation, including a forged 1971 Egyptian export license for the coffin. As such, the Met unconditionally returned the coffin to the Government of Egypt.
Odalisque Painting – Paul Rosenberg Heirs and Seattle Art Museum
In June 1999, the Seattle Art Museum returned the painting Oriental Woman Seated on Floor (also known as Odalisque), by Henri Matisse, to the heirs of Paul Rosenberg. The painting was donated to the museum in 1991 by the Bloedel family.
On the Shore of the Seine – United States v. Baltimore Museum of Art
In 1951, Pierre-Auguste Renoir’s painting “On the shore of the Seine” was stolen from the Baltimore Museum of Art in the United States. Over fifty years later, Marcia Fuqua bought this painting for US $7 at a flea market and tried to auction it off after learning of its value.
One-Thousand-Five-Hundred-Pound, Hand-Carved Lintels Removed from Religious Temples in Thailand – United States of America and City & County of San Francisco
In 2017, the government of Thailand formally requested that the United States restitute two ancient stone lintels of Khmer origin that had been removed from Thai temples between 1959–1968 and acquired by the Asian Art Museum in San Francisco. From 2017 to 2020, the United States and Thailand negotiated with the Museum for the restitution of the lintels, but in October 2020, the United States sued the Museum in federal court to seek their forfeiture. In February 2021, the Museum and the United States settled the case for a conditional restitution of the lintels to Thailand.
Pâté de Jambon – Anonymous German Heirs and Glasgow City Council
“Pâté de Jambon”, a painting by Jean-Baptiste-Siméon Chardin, was the object of a forced sale in 1936. The owners, the Jewish shareholders of an art gallery, were forced to sell the artwork to meet an unfair Nazi tax demand.
Pièces d’or géantes – Inde c. Crédit Agricole Indosuez SA
Deux pièces d’or géantes anciennes d’une valeur exceptionnelle, tant d’un point de vue économique que culturel, sont mises en gage auprès d’une Banque à Genève par le petit-fils de l’ancien Nizam de la Principauté d’Hyderabad. L’Inde introduit une action auprès des tribunaux genevois dans le but d’en obtenir la restitution.
Portrait of a Youth – Reichel Heirs v. Sarah Blodgett Dunbar
In the mid-2000s, Claudia Seger-Thomschitz, one of the heirs of Oskar Reichel, attempted to recover the painting “Portrait of a Youth” from Sarah Blodgett Dunbar on the grounds that it had been lost as a result of Nazi persecution. The 2010 appeal decision of the United States Fifth Circuit Court of Appeals settled the case in favour of Sarah Blodgett Dunbar.
Portrait of Greta Moll – Moll Heirs v. National Gallery of London
The “Portrait of Greta Moll” has been subject to a claim for return. The heirs of the painting’s subject argued the painting was stolen in the aftermath of the Second World War and claimed that the National Gallery of London did not purchase the work in good faith. The case has been heard in two courts of the United States.
Road to Calvary – Oppenheimer Heirs and Private Person
In 1935, Nazi authorities took from Jakob and Rosa Oppenheimer a painting entitled “Road to Calvary” by Brunswijker Monogrammist and sold it at auction. The painting resurfaced in 2006 when a Dutch private individual brought it to Sotheby’s determined to sell it. Instead of asking for the painting’s restitution, the Oppenheimer heirs demanded a portion of the sale’s proceeds. The Dutch Restitutions Committee issued a binding opinion on the matter, as requested by the parties.
St. Agatha Statue – St. Martin’s Church and Private Person
In November 2012, Sotheby’s offered at auction a meter-tall statue of St. Agatha, by the Dutch sculptor Jan van Steffieswert (1465-1530). It was stolen in 1976 from St. Martin’s Church, in Gronsveld, the Netherlands.
Sumpflegende – Héritiers Lissitzky-Küppers et Ville de Munich
Après 25 ans de litige juridique et de négociation, le sort de « Sumpflegende », un tableau de Paul Klee prêté à une galerie allemande en 1926 puis confisqué par les Nazis au titre d’art « dégénéré », est scellé. En juillet 2017, les héritiers de Sophie Lissitzky-Küppers, laquelle avait prêté le tableau, concluent un accord avec la Ville de Munich et une fondation privée. L’œuvre reste exposée dans un musée munichois et les héritiers Lissitzky-Küppers sont indemnisés.
The Actor – Leffmann Heir v. Metropolitan Museum of Art
Before the Second World War, Paul and Alice Leffmann, a couple of German Jews, fled Germany to Italy and then to Brazil. To be able to leave Europe, they sold the painting “The Actor” by Picasso to three art dealers for a fraction of its market value. In 1939, one of the dealers sold the painting to Thelma Foy. Several years later, Thelma Foy donated the painting to the Metropolitan Museum of Art (MET) of New York. In the 2010s, the great-grandniece of Paul and Alice Leffmanns sued the MET to retrieve the painting.
The Night Café Painting – Morozov Heirs v. Yale University
In 1908, Ivan Morozov, a Russian art collector, purchased Van Gogh’s painting “The Night Café”. The 1917 Bolshevik Revolution led to the nationalization of private property, and as such Morozov’s art collection was confiscated and subsequently sold.
Two Dürer Paintings – Kunstsammlungen Zu Weimar v. Elicofon
In 1945, two portraits by Albrecht Dürer were stolen from the collection of the Staatliche Kunstsammlungen zu Weimar. Stored for safekeeping in the Schwarburg Castle during the Second World War, the paintings disappeared during the time that American troops occupied the Castle.
Two Lithographs of the Glaser Collection – Glaser Heirs and Kunstmuseum Basel
In 1933, the Kunstmuseum Basel purchased about 200 drawings and prints at the Max Perl auction in Berlin. These works belonged to Curt Glaser, a Jewish art collector and director of the Art Library in Berlin. In 2004, the Glaser heirs requested the Kunstmuseum to return two artworks by Edvard Munch, but the Museum refused. Following negociations, the Kunstmuseum Basel and the heirs of Curt Glaser reached a seemingly “just and fair solution”.
Two Schiele Paintings – Grunbaum Heirs v. Richard Nagy
In 1938, the Nazis expropriated the art collection of Fritz Grunbaum while he was detained in Dachau concentration camp. In 2016, the Grunbaum heirs filed suit against Richard Nagy, the art dealer in possession of two of the paintings by Schiele that formed part of Fritz Grunbaum’s collection (“Woman in a Black Pinafore” and “Woman Hiding Her Face”). Eventually, the New York’s Supreme Court directed Nagy to return the artworks to the Grunbaum heirs.
Vallée de la Stour – Héritiers Jaffé et La Chaux-de-Fonds
En 2006, la Ville de La Chaux-de-Fonds reçoit une demande de restitution pour le tableau « La Vallée de la Stour » de John Constable exposé au Musée des beaux-arts de La Chaux-de-Fonds. Le requérant représente les ayants droit héritiers de John et Anna Jaffé, dont les biens, y compris ce tableau, ont été spoliés par les Nazis durant la Deuxième Guerre mondiale. Après avoir d’abord refusé, la Ville accepte de restituer le tableau à l’automne 2017 suite à une procédure de conciliation judiciaire. Le Tableau est restitué aux héritiers le 12 mars 2018.
Victorious Youth – Italy v. J. Paul Getty Museum
The “Victorious Youth” – a life-size bronze statue created sometime between the 4th and 2nd century BC – is at the centre of an ongoing dispute between Italy and the J. Paul Getty Museum. This statue was discovered in 1964, caught up in the nets of a fishing boat working out of the port of Fano on the Adriatic coast of Italy.
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