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Lydian Hoard – Turkey and Metropolitan Museum of Art

Lydian Hoard – Turkey and Metropolitan Museum of Art

The Lydian Hoard is a sixth-century B.C. collection of gold and silver objects which was clandestinely excavated in Turkey in the 1960s. It was purchased by the Metropolitan Museum of Art (MET) of New York. A formal demand for its return was made by Turkey in 1986.

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Machu Picchu Collection – Peru and Yale University

Machu Picchu Collection –  Peru and Yale University

Between 1912 and 1916, Hiram Bingham, a history professor at Yale University, shipped to the United States several artefacts that had been excavated at the Machu Picchu site with the authorization of the Peruvian Government. Peru formally requested restitution in 1918 and 1920, but to no avail. In 2001, negotiations between Peru and Yale University resumed. However, the resulting accord discontented the Peruvian Government. As a result, Peru filed suit in the United States against Yale University seeking the return of the collection and damages.

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Madame Cézanne in the Conservatory – Konowaloff v. Metropolitan Museum of Art

Madame Cézanne in the Conservatory – Konowaloff v. Metropolitan Museum of Art

Ivan Morozov’s extensive art collection, which included the painting by Cézanne called Madame Cézanne in the Conservatory, was confiscated by the Bolsheviks and declared property of the state. Stephen Clark purchased Madame Cézanne in the Conservatory from the Second Museum of Western Art in 1933. Upon his death, he bequeathed the painting to the Metropolitan Museum of Art. Pierre Konowaloff, Morozov’s heir, brought an action for restitution of the painting in the United States federal courts. His claim was unsuccessful and the Metropolitan Museum of Art retained the painting.

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Madonna and Child in a Landscape – Philipp von Gomperz Heirs and North Carolina Museum of Art

Madonna and Child in a Landscape – Philipp von Gomperz Heirs and North Carolina Museum of Art

In 2000, the North Carolina Museum of Art handed over the painting “Madonna and Child in a Landscape” to Philipp von Gomperz’s heirs after being presented with evidence that it had been looted by the Nazis. The heirs rewarded the Museum’s response by selling the painting to it at a price substantially below its market value.

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Madonna and Child with Wild Roses – Gross-Eisenstadt Heirs and Utrecht City Council

Madonna and Child with Wild Roses – Gross-Eisenstadt Heirs and Utrecht City Council

German-Jewish businessman Richard Semmel had an extensive art collection which he was forced to sell after fleeing Jewish persecution in Germany. Among this collection was the painting “Madonna and Child with Wild Roses” by Jan van Scorel.

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Mandat signé par Jean Calvin - République et canton de Genève et Sotheby's

Mandat signé par Jean Calvin - République et canton de Genève et Sotheby's

En novembre 2016, il est porté à la connaissance de l’archiviste d’État de Genève qu’un document datant du XVIe siècle et volé probablement au XIXe siècle figure sur le catalogue de la prochaine vente aux enchères de Sotheby’s à New York. Un accord d’indemnisation est signé le 1er septembre 2017 entre Sotheby’s, le possesseur et deux intervenants privés. Le même jour, un accord distinct de restitution est signé entre la République et canton de Genève, Sotheby’s et le possesseur.

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Manuscrit du Marquis de Sade – Héritier Nordmann et héritier de Noailles et Gérard Lhéritier

Manuscrit du Marquis de Sade – Héritier Nordmann et héritier de Noailles et Gérard Lhéritier

Les « Cent Vingt Journées de Sodome » du Marquis de Sade avait été dérobé à la famille de Nouailles puis acquis par un collectionneur suisse – Gérard Nordmann – qui a toujours refusé de la rendre. C’est grâce à un accord entre l’héritier des Nouailles et l’héritier Nordmann que le manuscrit a pu retourner en France, où il a été classé trésor national en 2017.

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Manuscrits Coréens – France et Corée du Sud

En 1866, l’Amiral Roze entreprend une expédition punitive en Corée. A cette occasion, de nombreux biens culturels sont détruits et certains emportés. Le 7 février 2011, la France et la Corée du Sud signent un accord portant sur le prêt des archives royales à la Corée du Sud.

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Maori Panels – New Zealand and Ortiz Heirs

Maori Panels – New Zealand and Ortiz Heirs

In 1972, five rare Maori wooden panels were discovered in a swamp in New Zealand’s North Island. Shortly after the discovery, the panels were illegally exported out of the country by an antiquities dealer and then bought by Swiss collector George Ortiz. In 2014 New Zealand obtained the return of the Maori panels by virtue of an agreement with the heirs of Ortiz.

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Marienkirche Window Panels – Germany and Russia, State Hermitage Museum, Pushkin State Museum of Fine Arts

Marienkirche Window Panels – Germany and Russia, State Hermitage Museum, Pushkin State Museum of Fine Arts

In 1997, 111 panels originally forming a window of the St. Marienkirche (St Mary Church) in Frankfurt-on-the-Oder were located in the Russian State Hermitage Museum. They were brought to Russia by Soviet troops following World War II. In 2001, after difficult negotiations, Russia agreed to return the panels to Germany. In exchange, the German Government offered to finance the reconstruction of the Russian Orthodox Church of the Dormition of the Mother of God located near Novgorod. A second group of 6 panels found in 2005 in the Pushkin State Museum of Fine Arts was returned to Germany in 2008.

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Masque Makondé – Tanzanie et Musée Barbier-Mueller

Masque Makondé – Tanzanie et Musée Barbier-Mueller

En 2010, le Musée Barbier-Mueller fait don du Masque Makondé à la Tanzanie, et met ainsi fin à un litige qui aura duré plus de 20 ans. Le litige fut porté devant le Comité intergouvernemental de l’UNESCO. L’Office fédéral suisse de la culture (OFC) est aussi intervenu.

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Masque Nalindele – Zambie et Personne privée

Masque Nalindele – Zambie et Personne privée

En juin 1989 le Masque Nalindele est volé au Musée national de Livingston en Zambie. En 1996 un antiquaire l’acquière à Paris. Apprenant qu’il s’agit d’un objet volé, il décide de le restituer aux autorités belges que le restitueront par la suite à la Zambie.

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Matisse Painting – Jeanneret v. Vichey

Matisse Painting – Jeanneret v. Vichey

A painting by Henri Matisse was unlawfully exported from Italy to New York because its owner, Anna Vichey, never acquired the mandatory export license in 1970. The painting was then sold to a Swiss art dealer named Marie Jeanneret and delivered to Geneva, Switzerland. After discovering the cloud on the title of the painting, Mme. Jeanneret was unable to sell the painting.

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Mercedes Shipwreck – Odyssey Marine Exploration Inc. v. Unidentified Shipwrecked Vessel

In 2007, Odyssey Marine Exploration, Inc. found a shipwreck of the Spanish Royal Navy Frigate Nuestra Senora de las Mercedes, loaded with many tonnes of coins. Odyssey filed an in rem action in the United States federal court to get legal title to the shipwreck and the coins, but the court found that they did not have the jurisdiction to decide the case according to the Foreign Sovereign Immunities Act. As a result, the Mercedes and its cargo were given over to the custody of Spain.

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Morgantina Goddess Statue – Italy and J. Paul Getty Museum

Morgantina Goddess Statue – Italy and J. Paul Getty Museum

An ancient statue of a goddess, which was likely illegally excavated in the late 1970s in Italy, was purchased by the J. Paul Getty Museum in 1988 for a record-setting US$18 million. That same year, Italian authorities began an investigation at the conclusion of which the Getty Museum agreed to consider returning the statue to Italy.

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Mosaïques de Kanakaria – Autocephalous Greek Orthodox Church of Cyprus et Chypre c. Goldberg

Mosaïques de Kanakaria – Autocephalous Greek Orthodox Church of Cyprus et Chypre c. Goldberg

Quatre mosaïques sont volées dans l’Eglise chypriote du village de Lythrankomi. Une dizaine d’années plus tard, elles sont achetées par Goldberg, une commerçante d’art américaine. L’Eglise chypriote finit par apprendre le lieu où se trouvent les mosaïques et la personne en possession de celles-ci. Peu après, l’Eglise chypriote et la République de Chypre introduisent une action en justice auprès des tribunaux de l’Etat de l’Indiana aux Etats-Unis.

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Murals of Teotihuacán – Fine Arts Museums of San Francisco and National Institute of Anthropology and History

Murals of Teotihuacán – Fine Arts Museums of San Francisco and National Institute of Anthropology and History

In 1978, the Fine Arts Museums of San Francisco became the owner of a number of murals from the world-famous Aztec site of Teotihuacán (Mexico). The Mexican Government failed in its attempts to obtain the return of these wall paintings through a court action in the United States.

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Nähschule – Max Silberberg Heirs and Bündner Kunstmuseum Chur

Nähschule – Max Silberberg Heirs  and Bündner Kunstmuseum Chur

The painting, “Nähschule – Arbeitssaal im Amsterdamer Waisenhaus” by Max Lieberman, was bequeathed to the Art Museum in Chur (Bündner Kunstmuseum Chur) in 1992, and was claimed in 1999 by the heir of Max Silberberg. The Jewish art collector was forced to sell it in 1934 due to great financial pressure under the growing persecution of Jews at the prelude to the Second World War. In May 2000, the Art Museum in Chur agreed to an unconditional restitution of the painting to the heir.

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Nataraja Idol – India and the Norton Simon Foundation

Nataraja Idol – India and the Norton Simon Foundation

In 1956, an ancient bronze statue of the Lord Siva (Lord of the Cosmic Dance or Sivapuram Nataraja) was removed from a temple in India for restoration purposes, subsequently held by an Indian private collector and ultimately sent to the United States with false export documents. In 1973, the Nataraja idol was sold by a New York dealer to the Norton Simon Foundation.

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Nature morte au tableau de Picasso – Héritiers Schlesinger et Phillips

Nature morte au tableau de Picasso – Héritiers Schlesinger et Phillips

En 1925, Ernst Schlesinger lègue à Johanna Meyer-Udewald l’usufruit d’une toile de Picasso (« Nature morte au tableau »). De confession juive, Johanna Meyer-Udewald est faite prisonnière par les Nazis et la toile passe par diverses mains avant d’arriver dans celles de Duncan C. Phillips, qui l’acquiert sans connaître son histoire.

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