-
Nähschule – Max Silberberg Heirs and Bündner Kunstmuseum Chur
-
The painting, “Nähschule – Arbeitssaal im Amsterdamer Waisenhaus” by Max Lieberman, was bequeathed to the Art Museum in Chur (Bündner Kunstmuseum Chur) in 1992, and was claimed in 1999 by the heir of Max Silberberg. The Jewish art collector was forced to sell it in 1934 due to great financial pressure under the growing persecution of Jews at the prelude to the Second World War. In May 2000, the Art Museum in Chur agreed to an unconditional restitution of the painting to the heir.
Located in
All Cases
-
13 Archaeological Objects – Italy and Boston Museum of Fine Arts
-
Between 1971 and 1999, the Boston Museum of Fine Arts acquired a number of ancient archaeological objects. Italy suspected that such antiquities had been excavated clandestinely in Italian territory and illegally exported.
Located in
All Cases
-
Weary Herakles – Turkey and Museum of Fine Arts Boston
-
The “Weary Herakles” is a Roman marble statue that was excavated in 1980 in Perge, Turkey. In 1981, the Museum of Fine Arts Boston acquired a half-interest in the upper part of the sculpture, while the other half-interest was owned by collectors Leon Levy and Shelby White.
Located in
All Cases
-
Tête Maorie de Genève – Ville de Genève et Nouvelle-Zélande
-
En 1992, la Ville de Genève décide de restituer une tête maorie appartenant aux collections du Musée d’ethnographie de la Ville de Genève à la Nouvelle-Zélande sous la forme d’un prêt. En 2011, suite à la prolongation de ce prêt, la Ville de Genève restitue définitivement la tête maorie à la Nouvelle-Zélande.
Located in
All Cases
-
Venus of Cyrene – Italy and Libya
-
In 1913, Italian soldiers deployed at Cyrene, Libya, found a headless marble sculpture, commonly known today as the “Venus of Cyrene”. In 1915, the statue was shipped to Italy, where it was placed on display in the Museo Nazionale delle Terme of Rome.
Located in
All Cases
-
Pâté de Jambon – Anonymous German Heirs and Glasgow City Council
-
“Pâté de Jambon”, a painting by Jean-Baptiste-Siméon Chardin, was the object of a forced sale in 1936. The owners, the Jewish shareholders of an art gallery, were forced to sell the artwork to meet an unfair Nazi tax demand.
Located in
All Cases
-
Fresques de Casenoves – Musée d’Art et d’Histoire de la Ville de Genève et la France
-
Le 1er juillet 1997, le Musée d’art et d’histoire de la Ville de Genève et l'Etat français, representé par son Ministère de la culture, ont signé un accord portant sur le prêt de deux fragments des fresques de Casenoves (Christ en Majesté et Adoration des Mages). Le 19 mars 2003, le Conseil administratif de la Ville de Genève a décidé de transformer ce prêt en donation.
Located in
All Cases
-
Collection Varenne – Héritiers Varenne et Ville de Genève
-
En 2008, un accord est conclu entre la Ville de Genève et les héritiers Varenne portant sur la collection « Varenne ». La Ville de Genève renonce à la donation « Varenne » initiale en échange notamment de CHF 30.000.000.
Located in
All Cases
-
Landscape with Smokestacks – Friedrich Gutmann Heirs and Daniel Searle
-
The heirs of Friedrich and Louise Gutmann, filed a claim against the art dealer Daniel Searle, the owner of the painting “Landscape with Smokestacks”. The painting was allegedly looted by the Nazis during the Second World War. After four years of litigation, the parties agreed to share the ownership of the painting.
Located in
All Cases
-
Lighthouse With Rotating Beam – Flechtheim Heirs and Kunstmuseum Bonn
-
The heirs of the art dealer and collector Alfred Flechtheim besought the Kunstmuseum Bonn for the restitution of the painting “Lighthouse With Rotating Beam” by Paul Adolf Seehaus, alleging that it was part of Alfred Flechtheim’s collection before he fled Nazi persecution. After consideration of the claim, the Museum decided to keep the painting, but agreed to reimburse the heirs for half its market value.
Located in
All Cases
