Search by temporal context
Search by type of dispute resolution process
Search by legal issue
Search by adopted solution
Search by type of object
Search by temporal context
Search by type of dispute
resolution process
Search by legal issue
Search by adopted solution
Search by type of object
Personal tools
80 items matching your search terms.
Filter the results.
Item type












New items since



Sort by relevance · date (newest first) · alphabetically
Fresques de Casenoves – Musée d’Art et d’Histoire de la Ville de Genève et la France
Le 1er juillet 1997, le Musée d’art et d’histoire de la Ville de Genève et l'Etat français, representé par son Ministère de la culture, ont signé un accord portant sur le prêt de deux fragments des fresques de Casenoves (Christ en Majesté et Adoration des Mages). Le 19 mars 2003, le Conseil administratif de la Ville de Genève a décidé de transformer ce prêt en donation.
Located in All Cases
Pâté de Jambon – Anonymous German Heirs and Glasgow City Council
“Pâté de Jambon”, a painting by Jean-Baptiste-Siméon Chardin, was the object of a forced sale in 1936. The owners, the Jewish shareholders of an art gallery, were forced to sell the artwork to meet an unfair Nazi tax demand.
Located in All Cases
Venus of Cyrene – Italy and Libya
In 1913, Italian soldiers deployed at Cyrene, Libya, found a headless marble sculpture, commonly known today as the “Venus of Cyrene”. In 1915, the statue was shipped to Italy, where it was placed on display in the Museo Nazionale delle Terme of Rome.
Located in All Cases
Tête Maorie de Genève – Ville de Genève et Nouvelle-Zélande
En 1992, la Ville de Genève décide de restituer une tête maorie appartenant aux collections du Musée d’ethnographie de la Ville de Genève à la Nouvelle-Zélande sous la forme d’un prêt. En 2011, suite à la prolongation de ce prêt, la Ville de Genève restitue définitivement la tête maorie à la Nouvelle-Zélande.
Located in All Cases
Weary Herakles – Turkey and Museum of Fine Arts Boston
The “Weary Herakles” is a Roman marble statue that was excavated in 1980 in Perge, Turkey. In 1981, the Museum of Fine Arts Boston acquired a half-interest in the upper part of the sculpture, while the other half-interest was owned by collectors Leon Levy and Shelby White.
Located in All Cases
13 Archaeological Objects – Italy and Boston Museum of Fine Arts
Between 1971 and 1999, the Boston Museum of Fine Arts acquired a number of ancient archaeological objects. Italy suspected that such antiquities had been excavated clandestinely in Italian territory and illegally exported.
Located in All Cases
Nähschule – Max Silberberg Heirs and Bündner Kunstmuseum Chur
The painting, “Nähschule – Arbeitssaal im Amsterdamer Waisenhaus” by Max Lieberman, was bequeathed to the Art Museum in Chur (Bündner Kunstmuseum Chur) in 1992, and was claimed in 1999 by the heir of Max Silberberg. The Jewish art collector was forced to sell it in 1934 due to great financial pressure under the growing persecution of Jews at the prelude to the Second World War. In May 2000, the Art Museum in Chur agreed to an unconditional restitution of the painting to the heir.
Located in All Cases
Euphronios Krater and Other Archaeological Objects – Italy and Metropolitan Museum of Art
In February 2006, the Italian Ministry for Cultural Heritage and Activities and the Metropolitan Museum of Art (MET) of New York entered into a landmark agreement with which the ownership title to the Euphronios Krater and other archaeological artefacts was transferred to the Italian Government.
Located in All Cases
17 Tasmanian Human Remains – Tasmanian Aboriginal Centre and Natural History Museum London
Since the 1980s, the Tasmanian Aboriginal Centre has made several requests to the Londoner Natural History Museum for the return of 17 Aboriginal human remains held in the collection of the Museum. When their dispute was brought to the Londoner High Court, the court’s judge suggested proceeding by mediation. The dispute was ultimately settled by a mediated agreement, which provided for the dismissal of the legal proceedings and for the repatriation of the remains to Tasmania.
Located in All Cases
Portrait of Wally – United States and Estate of Lea Bondi and Leopold Museum
After having been taken from Lea Bondi, a Jew forced to flee Austria following the Anschluss, the painting “Portrait of Wally” by Egon Schiele was seized by the US Forces at the end of the war. The portrait was first returned by the US Restitution Division to the Austrian Federal Office for Preservation of Historical Monument (BDA).
Located in All Cases