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Buste d’un jeune garçon – Héritiers Gentili di Giuseppe et Art Institute de Chicago
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En 1999, les héritiers de l’important collectionneur d’art de confession juive Federico Gentili di Giuseppe ont contacté l’Art Institute de Chicago afin d’obtenir la restitution d’un buste de Francesco Mochi (« Buste d’un jeune garçon »). Ce buste avait été vendu en France lors d’une vente par la suite annulée par les juges français car constitutive de spoliation.
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14 Artworks – Malewicz Heirs and City of Amsterdam
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In 2003, 14 artworks by the Russian artist Kazimir Malewicz were exported to the United States by the Stedelijk Museum of Amsterdam to be part of a temporary exhibition at the Guggenheim Museum in New York and the Menil Collection in Houston. Shortly before the end of the loans, the heirs of Malewicz brought an action against the City of Amsterdam seeking to recover the value of the artworks or, in the alternative, the artworks themselves.
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Elmali Hoard – Turkey and OKS Partners
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In 1999, OKS Partners, a consortium comprised of, among others, the American businessman William Koch, returned to Turkey nearly 1700 ancient coins. The coins were part of the Elmali Hoard, a precious and rare collection of ancient coins, also called the “Hoard of the Century,” that had been illegally excavated and smuggled out of Turkey in 1984.
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Chagall Gouache – Solomon R. Guggenheim Foundation and Lubell
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In 1993, the Guggenheim Foundation, Mrs. Rachel Lubell, and other interested parties reached a settlement regarding a Marc Chagall painting that had been stolen from the Museum and purchased by Mrs. Lubell almost thirty years prior. Though a trial court had originally held the Guggenheim’s suit seeking recovery was time-barred, the Appellate Division reversed the lower court’s decision and clarified New York’s “demand and refusal” rule. On remand, the parties settled just one day after the new trial began.
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Banksy Mural – Bioresource, Inc. and 555 Nonprofit Studio/Gallery
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Artists from the 555 Nonprofit Studio/Gallery removed an endangered mural painting by the graffiti artist Banksy from a derelict site in Detroit. The owner of the site, Bioresource, Inc. subsequently filed suit with the Wayne County Circuit Court requesting the wall art’s restitution. The parties finally settled their dispute as the Company agreed to donate the mural to the Gallery, who paid the Company a symbolic amount.
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14 Archaeological Objects – Italy and Cleveland Museum of Art
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On 19 November 2008, the Italian Ministry for Cultural Assets and Activities and the Cleveland Museum of Art signed an agreement concerning 14 archaeological objects in the museum’s collection. This agreement provides for the return to Italy of the artworks in exchange for loans of “a similar number of works of equal aesthetic and historical significance”.
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Troy Gold – Turkey and the University of Pennsylvania Museum of Archaeology and Anthropology
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In September 2012, the University of Pennsylvania Museum of Archaeology and Anthropology decided to loan indefinitely to Turkey a collection of antique jewelry that the Museum had acquired in 1966. The collection was probably illicitly excavated in Troy, a city in Northwest Turkey. In return, Turkey agreed to provide the Museum important loans and further collaboration in the field of archaeology.
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Orpheus Mosaic – Turkey and Dallas Museum of Art
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In December 2012, the Dallas Museum of Art returned to Turkey a fragment of a Roman mosaic. In addition, the parties concluded a comprehensive art exchange program.
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Murals of Teotihuacán – Fine Arts Museums of San Francisco and National Institute of Anthropology and History
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In 1978, the Fine Arts Museums of San Francisco became the owner of a number of murals from the world-famous Aztec site of Teotihuacán (Mexico). The Mexican Government failed in its attempts to obtain the return of these wall paintings through a court action in the United States.
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Waurà Indians Collection – Museum der Kulturen Basel, Penteado Coelho Heirs and Museu de Arqueologia e Etnologia Universidade de São Paulo, Waurà Indians
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Vera Penteado Coelho, a Brazilian ethnologist, bequeathed to the Museum der Kulturen Basel her collection of Waurà cultural objects. Following opposition from the Waurà Indians and the Museu de Arqueologia e Etnologia Universidade de São Paulo, the Basel Museum entered into negotiations to allow the collection to remain in Brazil. Eight years later, in 2008, the collection was donated to the São Paulo Museum.
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