-
Ka Nefer Nefer Mask – United States v. Mask of Ka Nefer Nefer
-
On July 28, 2014, the Eighth Circuit Court of Appeals denied the request of the United States Government to take further legal action regarding the St. Louis Art Museum’s ownership of the 3200 year old Egyptian Ka Nefer Nefer funerary mask.
Rattaché à
All Cases
-
Christ and the Samaritan Woman at the Well – Gross-Eisenstädt Heirs and Museum de Fundatie
-
In 1933, Jewish businessman and art collector Richard Semmel was forced to leave Berlin and sell parts of his art collection for economic survival. Among the works was the Italian painting Christ and the Samaritan Woman at the Well, which was bought by Dirk Hannema, a Dutch museums director. Since 1964, the painting has been in the Museum de Fundatie, which Hannema founded and to which he donated the painting.
Rattaché à
All Cases
-
Dancing Shiva Statue – India and National Gallery of Australia
-
In 2006, New York art dealer Subhash Kapoor arranged the theft and illegal exportation of a 900-year old bronze statue of the Dancing Shiva from a small temple in Southern India. In 2008, the National Gallery of Australia bought the statue for AUD$5.6 million.
Rattaché à
All Cases
-
Manuscrit du Marquis de Sade – Héritier Nordmann et héritier de Noailles et Gérard Lhéritier
-
Les « Cent Vingt Journées de Sodome » du Marquis de Sade avait été dérobé à la famille de Nouailles puis acquis par un collectionneur suisse – Gérard Nordmann – qui a toujours refusé de la rendre. C’est grâce à un accord entre l’héritier des Nouailles et l’héritier Nordmann que le manuscrit a pu retourner en France, où il a été classé trésor national en 2017.
Rattaché à
All Cases
-
Khmer Statue – Cambodia and Sotheby’s and the United States
-
In March 2011, Sotheby’s offered at auction in New York a Khmer statue. The statue was pulled out of the sale as a result of Cambodia’s request for its restitution. Cambodia claimed that it was illegally removed from the site Koh Ker during the 1970s and should be returned to them.
Rattaché à
All Cases
-
Nature morte au tableau de Picasso – Héritiers Schlesinger et Phillips
-
En 1925, Ernst Schlesinger lègue à Johanna Meyer-Udewald l’usufruit d’une toile de Picasso (« Nature morte au tableau »). De confession juive, Johanna Meyer-Udewald est faite prisonnière par les Nazis et la toile passe par diverses mains avant d’arriver dans celles de Duncan C. Phillips, qui l’acquiert sans connaître son histoire.
Rattaché à
All Cases
-
Buste d’un jeune garçon – Héritiers Gentili di Giuseppe et Art Institute de Chicago
-
En 1999, les héritiers de l’important collectionneur d’art de confession juive Federico Gentili di Giuseppe ont contacté l’Art Institute de Chicago afin d’obtenir la restitution d’un buste de Francesco Mochi (« Buste d’un jeune garçon »). Ce buste avait été vendu en France lors d’une vente par la suite annulée par les juges français car constitutive de spoliation.
Rattaché à
All Cases
-
14 Artworks – Malewicz Heirs and City of Amsterdam
-
In 2003, 14 artworks by the Russian artist Kazimir Malewicz were exported to the United States by the Stedelijk Museum of Amsterdam to be part of a temporary exhibition at the Guggenheim Museum in New York and the Menil Collection in Houston. Shortly before the end of the loans, the heirs of Malewicz brought an action against the City of Amsterdam seeking to recover the value of the artworks or, in the alternative, the artworks themselves.
Rattaché à
All Cases
-
Elmali Hoard – Turkey and OKS Partners
-
In 1999, OKS Partners, a consortium comprised of, among others, the American businessman William Koch, returned to Turkey nearly 1700 ancient coins. The coins were part of the Elmali Hoard, a precious and rare collection of ancient coins, also called the “Hoard of the Century,” that had been illegally excavated and smuggled out of Turkey in 1984.
Rattaché à
All Cases
-
Three Grosz Paintings – Grosz Heirs v. Museum of Modern Art
-
In April of 2009, after a decade-long search for artworks lost during Nazi persecution, George Grosz’s legal heirs brought action against the Museum of Modern Art, seeking declaration of title and replevin as to three of the artist’s paintings in the Museum’s possession, and requesting damages for their unlawful conversion. Holding that the action was time-barred by the statute of limitations, the District Court granted the museum’s motion to dismiss. The Court of Appeals for the Second Circuit in New York affirmed the order on appeal, and the United States Supreme Court denied the Heirs’ writ of certiorari.
Rattaché à
All Cases
