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Liberation of Saint Peter from Prison – Feldmann Heirs and Private Person
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In 2002, an American professor spontaneously contacted the International Foundation for Art Research (IFAR) as she suspected that the drawing she had inherited, “The Liberation of Saint Peter from Prison”, was looted from Arthur Feldmann during WWII. IFAR established evidence which confirmed her suspicions and acted as a facilitator, together with the Commission for Looted Art in Europe, in the negotiations between the professor and the Feldmann heirs. In 2004, the professor agreed on the unconditional restitution of the drawing to the Feldmann heirs.
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Madonna and Child in a Landscape – Philipp von Gomperz Heirs and North Carolina Museum of Art
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In 2000, the North Carolina Museum of Art handed over the painting “Madonna and Child in a Landscape” to Philipp von Gomperz’s heirs after being presented with evidence that it had been looted by the Nazis. The heirs rewarded the Museum’s response by selling the painting to it at a price substantially below its market value.
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Odalisque Painting – Paul Rosenberg Heirs and Seattle Art Museum
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In June 1999, the Seattle Art Museum returned the painting Oriental Woman Seated on Floor (also known as Odalisque), by Henri Matisse, to the heirs of Paul Rosenberg. The painting was donated to the museum in 1991 by the Bloedel family.
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Lighthouse With Rotating Beam – Flechtheim Heirs and Kunstmuseum Bonn
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The heirs of the art dealer and collector Alfred Flechtheim besought the Kunstmuseum Bonn for the restitution of the painting “Lighthouse With Rotating Beam” by Paul Adolf Seehaus, alleging that it was part of Alfred Flechtheim’s collection before he fled Nazi persecution. After consideration of the claim, the Museum decided to keep the painting, but agreed to reimburse the heirs for half its market value.
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Landscape with Smokestacks – Friedrich Gutmann Heirs and Daniel Searle
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The heirs of Friedrich and Louise Gutmann, filed a claim against the art dealer Daniel Searle, the owner of the painting “Landscape with Smokestacks”. The painting was allegedly looted by the Nazis during the Second World War. After four years of litigation, the parties agreed to share the ownership of the painting.
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Baldin Collection – Kunsthalle Bremen, Germany and State Hermitage Museum Russia
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In the aftermath of the Second World War, the Soviet Army Captain Victor Baldin brought to Moscow many artworks of the collection of the Kunsthalle Bremen (Bremen Art Museum). The dispute for the restitution of the so-called “Baldin Collection” is ongoing and has grown to one of the most debated cases between Germany and Russia.
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Collection Varenne – Héritiers Varenne et Ville de Genève
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En 2008, un accord est conclu entre la Ville de Genève et les héritiers Varenne portant sur la collection « Varenne ». La Ville de Genève renonce à la donation « Varenne » initiale en échange notamment de CHF 30.000.000.
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Fresques de Casenoves – Musée d’Art et d’Histoire de la Ville de Genève et la France
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Le 1er juillet 1997, le Musée d’art et d’histoire de la Ville de Genève et l'Etat français, representé par son Ministère de la culture, ont signé un accord portant sur le prêt de deux fragments des fresques de Casenoves (Christ en Majesté et Adoration des Mages). Le 19 mars 2003, le Conseil administratif de la Ville de Genève a décidé de transformer ce prêt en donation.
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Nähschule – Max Silberberg Heirs and Bündner Kunstmuseum Chur
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The painting, “Nähschule – Arbeitssaal im Amsterdamer Waisenhaus” by Max Lieberman, was bequeathed to the Art Museum in Chur (Bündner Kunstmuseum Chur) in 1992, and was claimed in 1999 by the heir of Max Silberberg. The Jewish art collector was forced to sell it in 1934 due to great financial pressure under the growing persecution of Jews at the prelude to the Second World War. In May 2000, the Art Museum in Chur agreed to an unconditional restitution of the painting to the heir.
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Portrait of Wally – United States and Estate of Lea Bondi and Leopold Museum
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After having been taken from Lea Bondi, a Jew forced to flee Austria following the Anschluss, the painting “Portrait of Wally” by Egon Schiele was seized by the US Forces at the end of the war. The portrait was first returned by the US Restitution Division to the Austrian Federal Office for Preservation of Historical Monument (BDA).
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