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Masque Makondé – Tanzanie et Musée Barbier-Mueller
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En 2010, le Musée Barbier-Mueller fait don du Masque Makondé à la Tanzanie, et met ainsi fin à un litige qui aura duré plus de 20 ans. Le litige fut porté devant le Comité intergouvernemental de l’UNESCO. L’Office fédéral suisse de la culture (OFC) est aussi intervenu.
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Pulcinell Sculpture – Budge Heirs v. Anonymous Purchaser
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A sculpture of Pulcinell was purchased by an anonymous buyer at auction in London in 2016. The buyer applied for an export license and the case came before the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest of the United Kingdom. During the review, it was discovered that the sculpture had been subject to forced sale by Nazis in 1937. The heirs of Emma Budge, the dispossessed owner of the sculpture, discovering what had become of the sculpture, attempted to secure its restitution.
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Road to Calvary – Oppenheimer Heirs and Private Person
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In 1935, Nazi authorities took from Jakob and Rosa Oppenheimer a painting entitled “Road to Calvary” by Brunswijker Monogrammist and sold it at auction. The painting resurfaced in 2006 when a Dutch private individual brought it to Sotheby’s determined to sell it. Instead of asking for the painting’s restitution, the Oppenheimer heirs demanded a portion of the sale’s proceeds. The Dutch Restitutions Committee issued a binding opinion on the matter, as requested by the parties.
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Six Klimt paintings – Maria Altmann and Austria
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Maria Altmann brought suit in the United States against the Republic of Austria and the Austrian National Gallery to recover six paintings by Gustav Klimt that the Nazis took during the Second World War from her Jewish relatives, Ferdinand and Adele Bloch-Bauer. Although the Supreme Court of the United States lifted Austria’s jurisdictional immunity, the disputants reached an agreement to end the litigation and submit the dispute to arbitration in Austria. The arbitration panel ruled that Austria was obliged to return five of the Klimt’s masterpieces to Maria Altmann.
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The Windmill – Rüdenberg Heirs v. City of Hannover
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Max Rüdenberg, a Jewish salesman and art collector, acquired several modern art pieces beginning in the late 1910s. Due to the discriminatory Nazi politics, the Rüdenberg family was forced to sell the art collection, including the painting “The Windmill” by Karl Schmidt-Rottluff.
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Trois tableaux spoliés – Héritiers Oppenheimer, van Doorn, Soepkez et France
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Le 11 mars 2014, Aurélie Filippetti, Ministre de la Culture et de la Communication du gouvernement français, a officiellement restitué aux ayants-droit des trois familles qui avaient été spoliées par les Nazis (Oppenheimer, van Doorn et Soepkez) trois tableaux qui avaient été classés « Musées Nationaux Récupération ».
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