-
Pulcinell Sculpture – Budge Heirs v. Anonymous Purchaser
-
A sculpture of Pulcinell was purchased by an anonymous buyer at auction in London in 2016. The buyer applied for an export license and the case came before the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest of the United Kingdom. During the review, it was discovered that the sculpture had been subject to forced sale by Nazis in 1937. The heirs of Emma Budge, the dispossessed owner of the sculpture, discovering what had become of the sculpture, attempted to secure its restitution.
Located in
All Cases
-
200 Paintings – Goudstikker Heirs and the Netherlands
-
The art collection of Jacques Goudstikker was acquired by the Nazi commander Hermann Göring under suspicious circumstances during the Second World War. A large part of the collection was recovered by the Allied Forces after the war and it was subsequently returned to the Netherlands where it was labelled “Dutch national property”. The first part of these items was bought back by Goudstikker’s wife under a settlement agreement of 1952. The Dutch Government returned the second part – 200 paintings – to Marei Von Saher (the only surviving heir of Jacques Goudstikker) in 2006 based on a recommendation of the Dutch Restitution Committee.
Located in
All Cases
-
Foxes – Grawi Heirs v. City of Düsseldorf
-
Kurt Grawi, a Jewish businessman, was persecuted by the Nazi regime. Before fleeing Germany, he managed to transport the painting "Foxes" to the USA, where he sold it in 1940 to secure a living for himself and his family in exile. In view of the close connection between the persecution and the sale of the painting, the German Advisory Commission recommended the restitution of the "Foxes" to the Grawi heirs. The painting was returned in January 2022.
-
Foxes – Grawi Heirs v. City of Düsseldorf
-
Kurt Grawi, a Jewish businessman, was persecuted by the Nazi regime. Before fleeing Germany, he managed to transport the painting "Foxes" to the USA, where he sold it in 1940 to secure a living for himself and his family in exile. In view of the close connection between the persecution and the sale of the painting, the German Advisory Commission recommended the restitution of the "Foxes" to the Grawi heirs. The painting was returned in January 2022.
Located in
All Cases
-
La Seine vue du Pont-Neuf, au fond le Louvre
-
Durant la Seconde Guerre mondiale, le tableau de Camille Pissarro "La Seine vue du Pont-Neuf, au fond le Louvre" appartenant à Max Heilbronn est spolié par le régime nazi. En 2012, lors d'une perquisition chez Cornelius Gurlitt les autorités allemandes saisissent une collection d'œuvres dont le tableau de Camille Pissaro fait partie. Cornelius Gurlitt décède et lègue sa collection au Kunstmuseum de Berne. Le tableau est finalement restitué à l’héritière de Max Heilbronn.
Located in
All Cases
-
Madonna and Child with Wild Roses – Gross-Eisenstadt Heirs and Utrecht City Council
-
German-Jewish businessman Richard Semmel had an extensive art collection which he was forced to sell after fleeing Jewish persecution in Germany. Among this collection was the painting “Madonna and Child with Wild Roses” by Jan van Scorel.
Located in
All Cases
-
Four Old Master Drawings – Feldmann Heirs and the British Museum
-
In May of 2002, the British Museum was confronted with a restitution claim by the heirs of the Second World War victim, Arthur Feldmann, regarding four Old Master drawings. The Commission of Looted Art Europe, who represented the claimant, and the British Museum, jointly sought guidance from the Spoliation Advisory Panel. After deferral of the Attorney General, the High Court held that under the British Museum Act the Museum could not restitute an object in order to meet a moral obligation without an Act of Parliament. Eventually, the British Museum followed the recommendation of the Spoliation Advisory Panel and compensated the family with an ex gratia payment.
Located in
All Cases
-
Six Klimt paintings – Maria Altmann and Austria
-
Maria Altmann brought suit in the United States against the Republic of Austria and the Austrian National Gallery to recover six paintings by Gustav Klimt that the Nazis took during the Second World War from her Jewish relatives, Ferdinand and Adele Bloch-Bauer. Although the Supreme Court of the United States lifted Austria’s jurisdictional immunity, the disputants reached an agreement to end the litigation and submit the dispute to arbitration in Austria. The arbitration panel ruled that Austria was obliged to return five of the Klimt’s masterpieces to Maria Altmann.
Located in
All Cases
-
Masque Makondé – Tanzanie et Musée Barbier-Mueller
-
En 2010, le Musée Barbier-Mueller fait don du Masque Makondé à la Tanzanie, et met ainsi fin à un litige qui aura duré plus de 20 ans. Le litige fut porté devant le Comité intergouvernemental de l’UNESCO. L’Office fédéral suisse de la culture (OFC) est aussi intervenu.
Located in
All Cases
-
The Windmill – Rüdenberg Heirs v. City of Hannover
-
Max Rüdenberg, a Jewish salesman and art collector, acquired several modern art pieces beginning in the late 1910s. Due to the discriminatory Nazi politics, the Rüdenberg family was forced to sell the art collection, including the painting “The Windmill” by Karl Schmidt-Rottluff.
Located in
All Cases