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Guelph Treasure – Alan Philipp, Gerald G. Stiebel and Jed R. Leiber v. Germany and Prussian Cultural Heritage Foundation
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A collection of medieval ecclesiastical art is claimed by the heirs of three Jewish dealers, who allege that the collection was sold under duress during the Nazi era. After an unsuccessful conciliation in front of Germany’s Advisory Commission, the claim is being litigated before the courts of the United States. On 3 February 2021, the Supreme Court of the United States ruled in favour of Germany on the interpretation of the expropriation exception in the Foreign Sovereign Immunities Act.
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Herzog Collection – De Csepel et al. v. Republic of Hungary et al.
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The “Herzog Collection” was originally an assembly of over two thousand works of art, collected by Baron Mór Lipót Herzog in the early 1900s. During World War II, the collection was seized by the Hungarian government, under Nazi orders. For the last seven decades, the Herzog Heirs have attempted to reclaim the Collection from the Republic of Hungary, without success. Now, the Herzog Heirs are taking their claim to the United States Supreme Court.
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Jardin à Auvers – Agent judiciare du Trésor c. Walter
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Dans son arrêt du 20 février 1996, la Cour de Cassation de la France a condamné l’Etat français à indemniser le propriétaire d’un tableau dont l’exportation avait été refusée pour cause de classement d’office.
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La Bergère – Meyer Heirs and Fred Jones Jr. Museum of Art
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Raoul Meyer’s art collection, which included Camille Pissarro’s painting “La bergère rentrant des moutons”, was looted by Nazi troops during the occupation of France in early 1940s. Decades later, Meyer’s daughter and heir, Léone Meyer, discovered the painting at the Fred Jones Jr. Museum of Art at the University of Oklahoma, and initiated a lawsuit in the United States seeking its return. After a three-year litigation, the two sides reached a settlement in 2016. The latter was denounced by Ms. Meyer. Eventually, the lawsuit was dropped and ownership of the painting was transferred to the Fred Jones Jr. Museum of Art.
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La cueillette de Pissarro – Héritiers Simon Bauer c. Bruce et Robbi Toll
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Les héritiers de Simon Bauer, juif déporté dont la collection avait été confisquée sous le régime nazi, profitent de la présence du tableau de Pissarro « La cueillette » en France dans le cadre d’une exposition pour en demander la restitution. Le Tribunal de grande instance de Paris ordonne la restitution de la toile le 7 novembre 2017. La Cour d’appel a confirmé cette décision le 2 octobre 2018.
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La Frise Beethoven – Héritiers Lederer c. Autriche
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En 2013, les héritiers du collectionneur Enrich Lederer demandent la restitution de la « Frise Beethoven » de Klimt à l’État autrichien. Cette Frise avait été spoliée à Vienne à la famille Lederer par les nazis avant d’être restituée à Enrich Lederer à la fin de la Seconde Guerre mondiale. Par la suite, Enrich Lederer l’avait vendue à l’État autrichien tout en clamant qu’il n’avait pas d’autre choix.
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La Seine vue du Pont-Neuf, au fond le Louvre
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Durant la Seconde Guerre mondiale, le tableau de Camille Pissarro "La Seine vue du Pont-Neuf, au fond le Louvre" appartenant à Max Heilbronn est spolié par le régime nazi. En 2012, lors d'une perquisition chez Cornelius Gurlitt les autorités allemandes saisissent une collection d'œuvres dont le tableau de Camille Pissaro fait partie. Cornelius Gurlitt décède et lègue sa collection au Kunstmuseum de Berne. Le tableau est finalement restitué à l’héritière de Max Heilbronn.
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Landscape with Smokestacks – Friedrich Gutmann Heirs and Daniel Searle
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The heirs of Friedrich and Louise Gutmann, filed a claim against the art dealer Daniel Searle, the owner of the painting “Landscape with Smokestacks”. The painting was allegedly looted by the Nazis during the Second World War. After four years of litigation, the parties agreed to share the ownership of the painting.
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Le Grand Pont – Weinmann Heirs and Yale University Art Gallery
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The painting “Le Grand Pont”, by Gustave Courbet, was owned by Josephine Weinmann and her family, but after they were forced to flee Germany from Nazi persecution, the painting was purchased by Herbert Schaefer, a Nazi militant. When Schaefer later loaned the painting to the Yale University Art Gallery, Weinmann’s heirs sued for its return.
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Liberation of Saint Peter from Prison – Feldmann Heirs and Private Person
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In 2002, an American professor spontaneously contacted the International Foundation for Art Research (IFAR) as she suspected that the drawing she had inherited, “The Liberation of Saint Peter from Prison”, was looted from Arthur Feldmann during WWII. IFAR established evidence which confirmed her suspicions and acted as a facilitator, together with the Commission for Looted Art in Europe, in the negotiations between the professor and the Feldmann heirs. In 2004, the professor agreed on the unconditional restitution of the drawing to the Feldmann heirs.
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