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Deux tableaux de Toulouse-Lautrec – Koerfer c. Goldschmidt
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En 1940, Jakob Goldschmidt, banquier juif et grand collectionneur d’art se voit retirer la nationalité allemande par le régime nazi qui s’approprie, par la suite, son patrimoine. Deux de ses tableaux du peintre Toulouse-Lautrec sont alors vendus aux enchères publiques et acquises par Jakob Koerfer qui en fait cadeau à sa femme, résidant en Suisse. Au décès de cette dernière, les tableaux sont dévolus aux enfants du couple. En 1956, Alfred Erwin Goldschmidt ouvre contre Jakob Koerfer et ses enfants une action en restitution des tableaux litigieux. Sa demande est rejetée en dernière instance par le Tribunal fédéral selon lequel les héritiers Koerfer sont, d’après le droit suisse, valablement devenus propriétaires des tableaux litigieux.
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Die Grosse Seestrasse in Wannsee – X. v. Switzerland
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The painting “Die Grosse Seestrasse in Wannsee” was bought in 1948 by François de Diesbach. After de Diesbach’s death, the painting was forgotten within the Swiss embassy. When the Swiss embassy decided to donate the painting to the Liebermann Villa, a distant relative of de Diesbach seized a Swiss court and claimed ownership over the painting. The High Court of the Canton of Bern ultimately held that the Swiss Confederation had acquired ownership over the painting.
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Euphronios Krater and Other Archaeological Objects – Italy and Metropolitan Museum of Art
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In February 2006, the Italian Ministry for Cultural Heritage and Activities and the Metropolitan Museum of Art (MET) of New York entered into a landmark agreement with which the ownership title to the Euphronios Krater and other archaeological artefacts was transferred to the Italian Government.
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Five Schiele Watercolors – Leopold Museum and Eva Zirkl
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Karl Mayländer, a Jewish businessman and art collector, was deported from Austria to occupied Poland and later killed in the Holocaust. Before leaving, he left his art collection to his partner who later sold it. Five Schiele watercolors from his collection came into the possession of the Leopold Museum. Negotiations between the museum and Eva Zirkl, Mayländer’s heir, concluded with the return of two of the five watercolors to Zirkl.
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Hopi Masks – Hopi Tribe v. Néret-Minet and Estimations & Ventes aux Enchères
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Between 2013 and 2014, dozens of Hopi’s sacred objects were sold at auctions in Paris despite strong protests and legal actions launched by the Hopi tribe. These actions were unsuccessful because French judicial authorities denied legal standing to the Hopis and considered that the sales did not violate French law.
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Jiroft Collection – Iran v. Barakat Galleries
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The Government of the Islamic Republic of Iran sued the London-based Barakat Galleries seeking the restitution of a collection of eighteen carved jars, bowls and cups which had been illicitly excavated in the Jiroft region, in Southeast Iran, and subsequently exported abroad. The Court of Appeal, overruling the trial court decision, held that the relevant laws of Iran were sufficiently clear to vest ownership title and an immediate right of possession of the relics in the Iranian State.
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Ka Nefer Nefer Mask – United States v. Mask of Ka Nefer Nefer
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On July 28, 2014, the Eighth Circuit Court of Appeals denied the request of the United States Government to take further legal action regarding the St. Louis Art Museum’s ownership of the 3200 year old Egyptian Ka Nefer Nefer funerary mask.
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La Bergère – Meyer Heirs and Fred Jones Jr. Museum of Art
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Raoul Meyer’s art collection, which included Camille Pissarro’s painting “La bergère rentrant des moutons”, was looted by Nazi troops during the occupation of France in early 1940s. Decades later, Meyer’s daughter and heir, Léone Meyer, discovered the painting at the Fred Jones Jr. Museum of Art at the University of Oklahoma, and initiated a lawsuit in the United States seeking its return. After a three-year litigation, the two sides reached a settlement in 2016. The latter was denounced by Ms. Meyer. Eventually, the lawsuit was dropped and ownership of the painting was transferred to the Fred Jones Jr. Museum of Art.
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La cueillette de Pissarro – Héritiers Simon Bauer c. Bruce et Robbi Toll
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Les héritiers de Simon Bauer, juif déporté dont la collection avait été confisquée sous le régime nazi, profitent de la présence du tableau de Pissarro « La cueillette » en France dans le cadre d’une exposition pour en demander la restitution. Le Tribunal de grande instance de Paris ordonne la restitution de la toile le 7 novembre 2017. La Cour d’appel a confirmé cette décision le 2 octobre 2018.
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Le Grand Pont – Weinmann Heirs and Yale University Art Gallery
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The painting “Le Grand Pont”, by Gustave Courbet, was owned by Josephine Weinmann and her family, but after they were forced to flee Germany from Nazi persecution, the painting was purchased by Herbert Schaefer, a Nazi militant. When Schaefer later loaned the painting to the Yale University Art Gallery, Weinmann’s heirs sued for its return.
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