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Ancient Manuscripts and Globe – Saint-Gall and Zurich
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Thanks to the Swiss Confederation who acted as a mediator, the dispute between the Cantons of Zurich and Saint-Gall over cultural objects displaced during the religious wars of 1712 was ultimately settled in 2006 by an inventive agreement.
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Auschwitz Suitcase – Pierre Lévi Heirs and Auschwitz-Birkenau State Museum Oswiecim and Shoah Memorial Museum Paris
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After an initial unsuccessful attempt to negotiate the dispute regarding a suitcase between the heirs of the Holocaust victim Pierre Lévi and the Auschwitz Birkenau State Museum in Oswiecim, the heirs decided to file a restitution claim against the Museum. The parties eventually settled with the help of the Shoah Memorial Museum in Paris and agreed to a long-term loan of the suitcase at the Shoah Memorial Museum.
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Balangiga Bells – Philippines and United States
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The Balangiga Bells were removed in 1901 from the parish church of San Lorenzo de Martir in Balangiga, Eastern Samar, in the Philippines, by soldiers of the United States Armed Forces. The three bells returned to the Philippines in 2018 following the amendment of the law of the United States that originally prevented their return.
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Baldin Collection – Kunsthalle Bremen, Germany and State Hermitage Museum Russia
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In the aftermath of the Second World War, the Soviet Army Captain Victor Baldin brought to Moscow many artworks of the collection of the Kunsthalle Bremen (Bremen Art Museum). The dispute for the restitution of the so-called “Baldin Collection” is ongoing and has grown to one of the most debated cases between Germany and Russia.
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Banksy Mural – Bioresource, Inc. and 555 Nonprofit Studio/Gallery
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Artists from the 555 Nonprofit Studio/Gallery removed an endangered mural painting by the graffiti artist Banksy from a derelict site in Detroit. The owner of the site, Bioresource, Inc. subsequently filed suit with the Wayne County Circuit Court requesting the wall art’s restitution. The parties finally settled their dispute as the Company agreed to donate the mural to the Gallery, who paid the Company a symbolic amount.
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Bath of Bathsheba – Italy and Wadsworth Atheneum Museum of Art
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The painting “The Bath of Bathsheba”, by Jacopo Zucchi, was looted in 1945 from the Italian Embassy in Berlin, where it was on loan from the Galleria Nazionale d’Arte Antica of Rome. In 1965, it was acquired by the Wadsworth Atheneum Museum of Art.
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Bélier Malien – France, Jacques Chirac et Mali
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En novembre 1996, le Président de la République Française Jacques Chirac reçoit en cadeau un quadrupède en terre cuite aux formes massives et stylisées. L’objet, qui provenait d’un site pillé au Mali, sera restitué sous forme de don après négociations en janvier 1998.
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Bible et fouet Witbooi – Namibie et Allemagne
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En 2013, la Namibie a adressé à l’Allemagne une requête en restitution d’une bible et d’un fouet witbooi. Ces objets, dont était propriétaire le héros national namibien Hendrick Witbooi, ont été spoliés par les troupes allemandes en 1893, lors d’une attaque menée par ces dernières contre la ville de Hornkranz afin de taire les soulèvements de la population contre l’occupation militaire allemande. Après des années de négociation, l’État allemand a finalement accepté de rendre les objets demandés. La restitution a eu lieu le 28 février 2019, à Gibeon, berceau historique de la communauté witbooi.
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Biccherna Panel – Anonymous Heirs and British Library
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In 2013, the British Library was contacted by the heirs of A.S. Drey, a Munich firm whose assets were sold off by Nazis in 1936. The heirs requested the return of the “Biccherna Panel” and lodged a claim with the UK Spoliation Advisory Panel, which found in favour of the claimants. However, following negotiations, the heirs accepted compensation in lieu of return, allowing the Biccherna Panel to remain in the British Library.
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Blumengarten – Deutsch Heirs and Moderna Museet Stockholm
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The heirs of Holocaust victims Otto Nathan Deutsch made several requests to the Moderna Museet Stockholm for the restitution of the painting “Blumengarten (Utenwarf)” (1917) by Emil Nolde
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