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Buddhist Paintings – Los Angeles County Museum of Art and Jogye Order of Korean Buddhism
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The Los Angeles County Museum of Art (LACMA) bought four Buddhist paintings in 1998. These paintings were featured in frequent exhibitions of LACMA’s Korean art galleries until the Jogye Order of Korean Buddhism notified LACMA that the paintings were stolen. After amicable negotiation, these paintings were returned to the Jogye Order in August 2020.
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Die Grosse Seestrasse in Wannsee – X. v. Switzerland
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The painting “Die Grosse Seestrasse in Wannsee” was bought in 1948 by François de Diesbach. After de Diesbach’s death, the painting was forgotten within the Swiss embassy. When the Swiss embassy decided to donate the painting to the Liebermann Villa, a distant relative of de Diesbach seized a Swiss court and claimed ownership over the painting. The High Court of the Canton of Bern ultimately held that the Swiss Confederation had acquired ownership over the painting.
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La Bergère – Meyer Heirs and Fred Jones Jr. Museum of Art
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Raoul Meyer’s art collection, which included Camille Pissarro’s painting “La bergère rentrant des moutons”, was looted by Nazi troops during the occupation of France in early 1940s. Decades later, Meyer’s daughter and heir, Léone Meyer, discovered the painting at the Fred Jones Jr. Museum of Art at the University of Oklahoma, and initiated a lawsuit in the United States seeking its return. After a three-year litigation, the two sides reached a settlement in 2016. The latter was denounced by Ms. Meyer. Eventually, the lawsuit was dropped and ownership of the painting was transferred to the Fred Jones Jr. Museum of Art.
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Le Grand Pont – Weinmann Heirs and Yale University Art Gallery
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The painting “Le Grand Pont”, by Gustave Courbet, was owned by Josephine Weinmann and her family, but after they were forced to flee Germany from Nazi persecution, the painting was purchased by Herbert Schaefer, a Nazi militant. When Schaefer later loaned the painting to the Yale University Art Gallery, Weinmann’s heirs sued for its return.
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14 Archaeological Objects – Italy and Cleveland Museum of Art
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On 19 November 2008, the Italian Ministry for Cultural Assets and Activities and the Cleveland Museum of Art signed an agreement concerning 14 archaeological objects in the museum’s collection. This agreement provides for the return to Italy of the artworks in exchange for loans of “a similar number of works of equal aesthetic and historical significance”.
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Troy Gold – Turkey and the University of Pennsylvania Museum of Archaeology and Anthropology
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In September 2012, the University of Pennsylvania Museum of Archaeology and Anthropology decided to loan indefinitely to Turkey a collection of antique jewelry that the Museum had acquired in 1966. The collection was probably illicitly excavated in Troy, a city in Northwest Turkey. In return, Turkey agreed to provide the Museum important loans and further collaboration in the field of archaeology.
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Great Zimbabwe Bird – Zimbabwe and Prussia Cultural Heritage Foundation, Germany
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The lower half of a stone bird discovered in Zimbabwe under dubious circumstances was bought by the Museum für Völkerkunde in Berlin around 1907. During the Second World War, the stone was removed by the Russian Army. After the fall of the Soviet Union, it was returned to the Museum für Völkerkunde in Berlin. In 2000, the Prussian Cultural Heritage Foundation – which managed the collection of this museum – under the pressure of the German federal government finally returned the fragment of the stone bird to Zimbabwe under the terms of a permanent loan.
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Portrait of Wally – United States and Estate of Lea Bondi and Leopold Museum
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After having been taken from Lea Bondi, a Jew forced to flee Austria following the Anschluss, the painting “Portrait of Wally” by Egon Schiele was seized by the US Forces at the end of the war. The portrait was first returned by the US Restitution Division to the Austrian Federal Office for Preservation of Historical Monument (BDA).
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Euphronios Krater and Other Archaeological Objects – Italy and Metropolitan Museum of Art
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In February 2006, the Italian Ministry for Cultural Heritage and Activities and the Metropolitan Museum of Art (MET) of New York entered into a landmark agreement with which the ownership title to the Euphronios Krater and other archaeological artefacts was transferred to the Italian Government.
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13 Archaeological Objects – Italy and Boston Museum of Fine Arts
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Between 1971 and 1999, the Boston Museum of Fine Arts acquired a number of ancient archaeological objects. Italy suspected that such antiquities had been excavated clandestinely in Italian territory and illegally exported.
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