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13 Archaeological Objects – Italy and Boston Museum of Fine Arts
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Between 1971 and 1999, the Boston Museum of Fine Arts acquired a number of ancient archaeological objects. Italy suspected that such antiquities had been excavated clandestinely in Italian territory and illegally exported.
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14 Archaeological Objects – Italy and Cleveland Museum of Art
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On 19 November 2008, the Italian Ministry for Cultural Assets and Activities and the Cleveland Museum of Art signed an agreement concerning 14 archaeological objects in the museum’s collection. This agreement provides for the return to Italy of the artworks in exchange for loans of “a similar number of works of equal aesthetic and historical significance”.
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15 Archaeological Objects – Italy and Princeton University Art Museum
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The Italian Government and the Princeton University Art Museum signed an agreement on 30 October 2007 that resolved the question of ownership of 15 archaeological objects in the Museum’s collection. This accord was the culmination of negotiations that were initiated by the Italian Ministry of Cultural Heritage and Activities following the discovery of substantial evidence demonstrating the illicit provenance of the requested antiquities.
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Bath of Bathsheba – Italy and Wadsworth Atheneum Museum of Art
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The painting “The Bath of Bathsheba”, by Jacopo Zucchi, was looted in 1945 from the Italian Embassy in Berlin, where it was on loan from the Galleria Nazionale d’Arte Antica of Rome. In 1965, it was acquired by the Wadsworth Atheneum Museum of Art.
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Christ Carrying the Cross Dragged by a Rascal – Gentili di Giuseppe Heirs v. Italy
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In 1941, the painting “Christ Carrying the Cross Dragged by a Rascal” by Girolamo Romanino was confiscated by Nazi-controlled French authorities from Federico Gentili di Giuseppe – an Italian of Jewish descent living in Paris – and then sold at auction.
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Collection japonaise de Netsuke – Winkworth c. Christie’s
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Une collection de Netsuke est dérobée en Angleterre, vendue à un collectionneur de bonne foi en Italie et finalement proposée aux enchères en Angleterre. William Winkworth, le propriétaire originaire, reconnaît les objets sur le catalogue de la maison de vente aux enchères Christie’s et agit en justice à Londres afin de voir reconnaître sa propriété sur les biens.
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Etruscan Black-Figured Kalpis – Italy and Toledo Museum of Art
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After an extensive investigation by U.S. Immigration and Customs Enforcement (ICE) and Homeland Security Investigations, the Toledo Museum of Art returned in 2013 an Etruscan black-figure kalpis to Italy. The kalpis was found to be smuggled out of Italy after an illegal excavation prior to 1981, then sold to the Toledo Museum of Art in 1982 by Gianfranco and Ursula Becchina, who had earlier purchased it from the art smuggler Giacomo Medici.
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Euphronios Krater and Other Archaeological Objects – Italy and Metropolitan Museum of Art
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In February 2006, the Italian Ministry for Cultural Heritage and Activities and the Metropolitan Museum of Art (MET) of New York entered into a landmark agreement with which the ownership title to the Euphronios Krater and other archaeological artefacts was transferred to the Italian Government.
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Matisse Painting – Jeanneret v. Vichey
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A painting by Henri Matisse was unlawfully exported from Italy to New York because its owner, Anna Vichey, never acquired the mandatory export license in 1970. The painting was then sold to a Swiss art dealer named Marie Jeanneret and delivered to Geneva, Switzerland. After discovering the cloud on the title of the painting, Mme. Jeanneret was unable to sell the painting.
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Morgantina Goddess Statue – Italy and J. Paul Getty Museum
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An ancient statue of a goddess, which was likely illegally excavated in the late 1970s in Italy, was purchased by the J. Paul Getty Museum in 1988 for a record-setting US$18 million. That same year, Italian authorities began an investigation at the conclusion of which the Getty Museum agreed to consider returning the statue to Italy.
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