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Mosaïques de Kanakaria – Autocephalous Greek Orthodox Church of Cyprus et Chypre c. Goldberg
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Quatre mosaïques sont volées dans l’Eglise chypriote du village de Lythrankomi. Une dizaine d’années plus tard, elles sont achetées par Goldberg, une commerçante d’art américaine. L’Eglise chypriote finit par apprendre le lieu où se trouvent les mosaïques et la personne en possession de celles-ci. Peu après, l’Eglise chypriote et la République de Chypre introduisent une action en justice auprès des tribunaux de l’Etat de l’Indiana aux Etats-Unis.
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Nature morte au tableau de Picasso – Héritiers Schlesinger et Phillips
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En 1925, Ernst Schlesinger lègue à Johanna Meyer-Udewald l’usufruit d’une toile de Picasso (« Nature morte au tableau »). De confession juive, Johanna Meyer-Udewald est faite prisonnière par les Nazis et la toile passe par diverses mains avant d’arriver dans celles de Duncan C. Phillips, qui l’acquiert sans connaître son histoire.
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Nedjemankh and His Gilded Coffin – Metropolitan Museum of Art and Egypt
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The gilded Coffin of Nedjemankh, a priest of the ram-god Heryshef, was purchased in 2017 and exhibited in 2018 by the Metropolitan Museum of Art. Following an investigation by the Manhattan District Attorney’s office, the Met learned that the Coffin had been looted in 2011, during the Egyptian revolution. It also learned that it had received upon its purchase a false ownership history, fraudulent statements and fake documentation, including a forged 1971 Egyptian export license for the coffin. As such, the Met unconditionally returned the coffin to the Government of Egypt.
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Odalisque Painting – Paul Rosenberg Heirs and Seattle Art Museum
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In June 1999, the Seattle Art Museum returned the painting Oriental Woman Seated on Floor (also known as Odalisque), by Henri Matisse, to the heirs of Paul Rosenberg. The painting was donated to the museum in 1991 by the Bloedel family.
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On the Shore of the Seine – United States v. Baltimore Museum of Art
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In 1951, Pierre-Auguste Renoir’s painting “On the shore of the Seine” was stolen from the Baltimore Museum of Art in the United States. Over fifty years later, Marcia Fuqua bought this painting for US $7 at a flea market and tried to auction it off after learning of its value.
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One-Thousand-Five-Hundred-Pound, Hand-Carved Lintels Removed from Religious Temples in Thailand – United States of America and City & County of San Francisco
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In 2017, the government of Thailand formally requested that the United States restitute two ancient stone lintels of Khmer origin that had been removed from Thai temples between 1959–1968 and acquired by the Asian Art Museum in San Francisco. From 2017 to 2020, the United States and Thailand negotiated with the Museum for the restitution of the lintels, but in October 2020, the United States sued the Museum in federal court to seek their forfeiture. In February 2021, the Museum and the United States settled the case for a conditional restitution of the lintels to Thailand.
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Pâté de Jambon – Anonymous German Heirs and Glasgow City Council
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“Pâté de Jambon”, a painting by Jean-Baptiste-Siméon Chardin, was the object of a forced sale in 1936. The owners, the Jewish shareholders of an art gallery, were forced to sell the artwork to meet an unfair Nazi tax demand.
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Pièces d’or géantes – Inde c. Crédit Agricole Indosuez SA
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Deux pièces d’or géantes anciennes d’une valeur exceptionnelle, tant d’un point de vue économique que culturel, sont mises en gage auprès d’une Banque à Genève par le petit-fils de l’ancien Nizam de la Principauté d’Hyderabad. L’Inde introduit une action auprès des tribunaux genevois dans le but d’en obtenir la restitution.
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Portrait of a Youth – Reichel Heirs v. Sarah Blodgett Dunbar
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In the mid-2000s, Claudia Seger-Thomschitz, one of the heirs of Oskar Reichel, attempted to recover the painting “Portrait of a Youth” from Sarah Blodgett Dunbar on the grounds that it had been lost as a result of Nazi persecution. The 2010 appeal decision of the United States Fifth Circuit Court of Appeals settled the case in favour of Sarah Blodgett Dunbar.
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Portrait of Greta Moll – Moll Heirs v. National Gallery of London
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The “Portrait of Greta Moll” has been subject to a claim for return. The heirs of the painting’s subject argued the painting was stolen in the aftermath of the Second World War and claimed that the National Gallery of London did not purchase the work in good faith. The case has been heard in two courts of the United States.
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