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Bath of Bathsheba – Italy and Wadsworth Atheneum Museum of Art
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The painting “The Bath of Bathsheba”, by Jacopo Zucchi, was looted in 1945 from the Italian Embassy in Berlin, where it was on loan from the Galleria Nazionale d’Arte Antica of Rome. In 1965, it was acquired by the Wadsworth Atheneum Museum of Art.
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Aidonia Treasure – Greece and Ward Gallery
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A collection of golden Mycenaean jewellery (the Aidonia Treasure) was acquired by the Ward Gallery of New York in early 1993. Before proceeding with the purchase the Gallery made enquiries in various Mediterranean States, including Greece, to find out whether the treasure was stolen. Greece responded in the negative, but it later sued the Gallery seeking restitution.
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Afo-A-Kom – Furman Gallery and Kom people
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The Afo-A-Kom is a wooden sculpture sacred to the Kom people, a tribal population of Cameroon. In 1966, it was stolen and subsequently sold to a New York art dealer.
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View of Les Saintes-Maries-de-la-Mer – Mauthner Heirs v. Switzerland
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Andrew Orkin sued the Swiss Confederation, the Oskar Reinhart Foundation and the Oskar Reinhart Collection in the United States in order to recover possession of the drawing “View of Les Saintes-Maries-de-la-Mer”. Orkin alleged that his great-grandmother, Margarethe Mauthner, sold the painting under duress during the Nazi era.
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View of the Asylum and Chapel at St. Rémy – Mauthner Heirs v. Elizabeth Taylor
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In 2007, the court battle over the van Gogh painting “View of the Asylum and Chapel at St. Rémy” came to an end when the United States Supreme Court denied a writ of certiorari, thereby finalising the decision of the Court of Appeals for the Ninth Circuit in Pasadina.
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Marienkirche Window Panels – Germany and Russia, State Hermitage Museum, Pushkin State Museum of Fine Arts
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In 1997, 111 panels originally forming a window of the St. Marienkirche (St Mary Church) in Frankfurt-on-the-Oder were located in the Russian State Hermitage Museum. They were brought to Russia by Soviet troops following World War II. In 2001, after difficult negotiations, Russia agreed to return the panels to Germany. In exchange, the German Government offered to finance the reconstruction of the Russian Orthodox Church of the Dormition of the Mother of God located near Novgorod. A second group of 6 panels found in 2005 in the Pushkin State Museum of Fine Arts was returned to Germany in 2008.
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Adoration of the Magi – Gentili di Giuseppe Heirs and Museum of Fine Arts Boston
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In February 2000, the heirs of the renowned Jewish art collector Federico Gentili di Giuseppe initiated negotiations with the Museum of Fine Arts (MFA) Boston on the restitution of the painting “Adoration of the Magi”, by Corrado Giaquinto. The painting had been sold at an auction in 1941. In October 2000, the heirs reached a part purchase-part donation agreement with the MFA Boston.
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Auschwitz Suitcase – Pierre Lévi Heirs and Auschwitz-Birkenau State Museum Oswiecim and Shoah Memorial Museum Paris
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After an initial unsuccessful attempt to negotiate the dispute regarding a suitcase between the heirs of the Holocaust victim Pierre Lévi and the Auschwitz Birkenau State Museum in Oswiecim, the heirs decided to file a restitution claim against the Museum. The parties eventually settled with the help of the Shoah Memorial Museum in Paris and agreed to a long-term loan of the suitcase at the Shoah Memorial Museum.
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Five Italian Paintings – Gentili di Giuseppe Heirs v. Musée du Louvre and France
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In 1998, the heirs of the renowned Jewish art collector Federico Gentili di Giuseppe sued the Louvre Museum seeking the restitution of five paintings. These paintings, which were part of Federico Gentili di Giuseppe’s collection, were bought at auction by Herman Göring in 1941 and transferred to the Musée du Louvre at the end of the Second World War.
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Wasco Sally Bag – American dealer and Paul Cary and the Yakama Nation Museum
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In 2007, Paul Cary acquired a Wasco Sally bag, an object from the Native American group, the Yakama Nation, from an American dealer. When Paul Cary learned that the bag was stolen from the Yakama Nation Museum, he returned it to the dealer and informed the museum. Subsequent negotiations initiated between the museum and the dealer would have remained unfruitful, if it was not for the involvement of Paul Cary. He offered the dealer financial compensation for half of his losses should he return the bag to the museum. Moreover, he would attempt to obtain the financing of the second half from the Yakama tribe. The parties agreed.
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