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13 Archaeological Objects – Italy and Boston Museum of Fine Arts
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Between 1971 and 1999, the Boston Museum of Fine Arts acquired a number of ancient archaeological objects. Italy suspected that such antiquities had been excavated clandestinely in Italian territory and illegally exported.
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14 Archaeological Objects – Italy and Cleveland Museum of Art
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On 19 November 2008, the Italian Ministry for Cultural Assets and Activities and the Cleveland Museum of Art signed an agreement concerning 14 archaeological objects in the museum’s collection. This agreement provides for the return to Italy of the artworks in exchange for loans of “a similar number of works of equal aesthetic and historical significance”.
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14 Artworks – Malewicz Heirs and City of Amsterdam
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In 2003, 14 artworks by the Russian artist Kazimir Malewicz were exported to the United States by the Stedelijk Museum of Amsterdam to be part of a temporary exhibition at the Guggenheim Museum in New York and the Menil Collection in Houston. Shortly before the end of the loans, the heirs of Malewicz brought an action against the City of Amsterdam seeking to recover the value of the artworks or, in the alternative, the artworks themselves.
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15 Archaeological Objects – Italy and Princeton University Art Museum
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The Italian Government and the Princeton University Art Museum signed an agreement on 30 October 2007 that resolved the question of ownership of 15 archaeological objects in the Museum’s collection. This accord was the culmination of negotiations that were initiated by the Italian Ministry of Cultural Heritage and Activities following the discovery of substantial evidence demonstrating the illicit provenance of the requested antiquities.
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17 Tasmanian Human Remains – Tasmanian Aboriginal Centre and Natural History Museum London
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Since the 1980s, the Tasmanian Aboriginal Centre has made several requests to the Londoner Natural History Museum for the return of 17 Aboriginal human remains held in the collection of the Museum. When their dispute was brought to the Londoner High Court, the court’s judge suggested proceeding by mediation. The dispute was ultimately settled by a mediated agreement, which provided for the dismissal of the legal proceedings and for the repatriation of the remains to Tasmania.
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Afo-A-Kom – Furman Gallery and Kom people
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The Afo-A-Kom is a wooden sculpture sacred to the Kom people, a tribal population of Cameroon. In 1966, it was stolen and subsequently sold to a New York art dealer.
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Balangiga Bells – Philippines and United States
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The Balangiga Bells were removed in 1901 from the parish church of San Lorenzo de Martir in Balangiga, Eastern Samar, in the Philippines, by soldiers of the United States Armed Forces. The three bells returned to the Philippines in 2018 following the amendment of the law of the United States that originally prevented their return.
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Bath of Bathsheba – Italy and Wadsworth Atheneum Museum of Art
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The painting “The Bath of Bathsheba”, by Jacopo Zucchi, was looted in 1945 from the Italian Embassy in Berlin, where it was on loan from the Galleria Nazionale d’Arte Antica of Rome. In 1965, it was acquired by the Wadsworth Atheneum Museum of Art.
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Die Grosse Seestrasse in Wannsee – X. v. Switzerland
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The painting “Die Grosse Seestrasse in Wannsee” was bought in 1948 by François de Diesbach. After de Diesbach’s death, the painting was forgotten within the Swiss embassy. When the Swiss embassy decided to donate the painting to the Liebermann Villa, a distant relative of de Diesbach seized a Swiss court and claimed ownership over the painting. The High Court of the Canton of Bern ultimately held that the Swiss Confederation had acquired ownership over the painting.
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Euphronios Krater and Other Archaeological Objects – Italy and Metropolitan Museum of Art
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In February 2006, the Italian Ministry for Cultural Heritage and Activities and the Metropolitan Museum of Art (MET) of New York entered into a landmark agreement with which the ownership title to the Euphronios Krater and other archaeological artefacts was transferred to the Italian Government.
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