Centre du droit de l'art
https://plone.unige.ch/art-adr
One-Thousand-Five-Hundred-Pound, Hand-Carved Lintels Removed from Religious Temples in Thailand – United States of America and City & County of San Francisco
https://plone.unige.ch/art-adr/cases-affaires/one-thousand-five-hundred-pound-hand-carved-lintels-removed-from-religious-temples-in-thailand-2013-united-states-of-america-and-city-county-of-san-francisco
In 2017, the government of Thailand formally requested that the United States restitute two ancient stone lintels of Khmer origin that had been removed from Thai temples between 1959–1968 and acquired by the Asian Art Museum in San Francisco. From 2017 to 2020, the United States and Thailand negotiated with the Museum for the restitution of the lintels, but in October 2020, the United States sued the Museum in federal court to seek their forfeiture. In February 2021, the Museum and the United States settled the case for a conditional restitution of the lintels to Thailand.No publisherDeaccessionAntiquity/antiquitésSettlement agreement/accord transactionnelKingdom of ThailandConditional restitution/restitution sous conditionDue diligenceIllicit exportation/exportation illiciteJudicial claim/action en justiceDiplomatic channel/voie diplomatiquePre 1970 restitution claims/demandes de restitution pre 1970Negotiation/négociationUnited States/États-UnisOwnership/propriétéCity & County of San Francisco2023/10/09 11:05:00 GMT+1PageFoxes – Grawi Heirs v. City of Düsseldorf
https://plone.unige.ch/art-adr/cases-affaires/foxes-2013-grawi-heirs-v-city-of-dusseldorf-1
Kurt Grawi, a Jewish businessman, was persecuted by the Nazi regime. Before fleeing Germany, he managed to transport the painting "Foxes" to the USA, where he sold it in 1940 to secure a living for himself and his family in exile. In view of the close connection between the persecution and the sale of the painting, the German Advisory Commission recommended the restitution of the "Foxes" to the Grawi heirs. The painting was returned in January 2022.No publisherArtwork/oeuvre d’artKurt GrawiInstitutional facilitator/facilitateur institutionnelCity of DüsseldorfMediation/médiationUnconditional restitution/restitution sans conditionNegotiation/négociationGrawi HeirsNazi looted art/spoliations naziesSettlement agreement/accord transactionnel2023/04/12 16:10:00 GMT+1PageFoxes – Grawi Heirs v. City of Düsseldorf
https://plone.unige.ch/art-adr/foxes-2013-grawi-heirs-v-city-of-dusseldorf-1
Kurt Grawi, a Jewish businessman, was persecuted by the Nazi regime. Before fleeing Germany, he managed to transport the painting "Foxes" to the USA, where he sold it in 1940 to secure a living for himself and his family in exile. In view of the close connection between the persecution and the sale of the painting, the German Advisory Commission recommended the restitution of the "Foxes" to the Grawi heirs. The painting was returned in January 2022.No publisherArtwork/oeuvre d’artKurt GrawiInstitutional facilitator/facilitateur institutionnelCity of DüsseldorfMediation/médiationUnconditional restitution/restitution sans conditionNegotiation/négociationGrawi HeirsNazi looted art/spoliations naziesSettlement agreement/accord transactionnel2023/04/12 16:10:00 GMT+1PageBuddhist Paintings – Los Angeles County Museum of Art and Jogye Order of Korean Buddhism
https://plone.unige.ch/art-adr/cases-affaires/buddhist-paintings-2013-lacma-and-jogye-order
The Los Angeles County Museum of Art (LACMA) bought four Buddhist paintings in 1998. These paintings were featured in frequent exhibitions of LACMA’s Korean art galleries until the Jogye Order of Korean Buddhism notified LACMA that the paintings were stolen. After amicable negotiation, these paintings were returned to the Jogye Order in August 2020.No publisherDeaccessionSettlement agreement/accord transactionnelArtwork/oeuvre d’artLos Angeles County Museum of Art (LACMA)Due diligenceJogye Order of Korean BuddhismSpoils of war/butins de guerreProcedural issue/limites procéduralesNegotiation/négociationCultural cooperation/coopération culturelleUnconditional restitution/restitution sans conditionOwnership/propriétéLoan/prêt2020/12/14 17:15:00 GMT+1PageCrâne d’Ataï – France et Nouvelle-Calédonie
https://plone.unige.ch/art-adr/cases-affaires/crane-d2019atai-2013-france-et-nouvelle-caledonie
En 1878, le grand chef Ataï fût tué lors de la rébellion de son clan contre l’accaparement des terres par les colonisateurs français. Devenu le symbole de la lutte contre le colonialisme français en Nouvelle-Calédonie, sa tête a été mise à prix avant de devenir propriété de la Société d’Anthropologie de Paris (SAP). Dès les accords de Matignon en 1988, la France a promis le retour du crâne d’Ataï. Toutefois, ce n’est qu’en 2014, après des demandes réitérées, que le crâne fut finalement restitué à ses descendants.No publisherOwnership/propriétéUnconstrained initiative/initiative spontanéeHuman remains/restes humainsNew Caledonia/Nouvelle-CalédonieFranceUnconditional restitution/restitution sans conditionColonialism/colonialismeSettlement agreement/accord transactionnelAd hoc facilitator/facilitateur ad hoc2020/11/12 17:10:00 GMT+1PageLa Seine vue du Pont-Neuf, au fond le Louvre
https://plone.unige.ch/art-adr/cases-affaires/la-seine-vue-du-pont-neuf-au-fond-le-louvre-2013-heritiere-heilbronn-kunstmuseum-de-berne-republique-federale-d2019allemagne-et-etat-libre-de-baviere
Durant la Seconde Guerre mondiale, le tableau de Camille Pissarro "La Seine vue du Pont-Neuf, au fond le Louvre" appartenant à Max Heilbronn est spolié par le régime nazi. En 2012, lors d'une perquisition chez Cornelius Gurlitt les autorités allemandes saisissent une collection d'œuvres dont le tableau de Camille Pissaro fait partie. Cornelius Gurlitt décède et lègue sa collection au Kunstmuseum de Berne. Le tableau est finalement restitué à l’héritière de Max Heilbronn.No publisherOwnership/propriétéKunstmuseum de BerneArtwork/oeuvre d’artUnconditional restitution/restitution sans conditionLegacy/legsSchwabinger Kunstfund TaskforceInstitutional facilitator/facilitateur institutionnelCornelius GurlittRépublique fédérale d'AllemagneHéritière HeilbronnSettlement agreement/accord transactionnelNazi looted art/spoliations naziesEtat libre de BavièreAd hoc facilitator/facilitateur ad hocCommission pour l'indemnisation des victimes de spoliations (CIVS)2020/10/07 15:20:00 GMT+1PageTwo Lithographs of the Glaser Collection – Glaser Heirs and Kunstmuseum Basel
https://plone.unige.ch/art-adr/cases-affaires/two-lithographs-of-the-glaser-collection-2013-glaser-heirs-and-kunstmuseum-basel
In 1933, the Kunstmuseum Basel purchased about 200 drawings and prints at the Max Perl auction in Berlin. These works belonged to Curt Glaser, a Jewish art collector and director of the Art Library in Berlin. In 2004, the Glaser heirs requested the Kunstmuseum to return two artworks by Edvard Munch, but the Museum refused. Following negociations, the Kunstmuseum Basel and the heirs of Curt Glaser reached a seemingly “just and fair solution”.No publisherStatute of limitation/prescriptionOwnership/propriétéArtwork/oeuvre d’artFinancial compensation/indemnisationCanton of Basel-CityNegotiation/négociationRequest denied/rejet de la demandeNazi looted art/spoliations naziesDue diligenceMediation/médiationCurt GlaserConciliationSettlement agreement/accord transactionnelProcedural issue/limites procéduralesKunstmuseum Basel2020/10/02 09:10:00 GMT+1PageBiccherna Panel – Anonymous Heirs and British Library
https://plone.unige.ch/art-adr/cases-affaires/biccherna-panel-2013-anonymous-heirs-and-british-library
In 2013, the British Library was contacted by the heirs of A.S. Drey, a Munich firm whose assets were sold off by Nazis in 1936. The heirs requested the return of the “Biccherna Panel” and lodged a claim with the UK Spoliation Advisory Panel, which found in favour of the claimants. However, following negotiations, the heirs accepted compensation in lieu of return, allowing the Biccherna Panel to remain in the British Library.No publisherNazi looted art/spoliations naziesNegotiation/négociationDeaccessionFinancial compensation/indemnisationArtwork/oeuvre d’artSettlement agreement/accord transactionnelProcedural issue/limites procéduralesBritish LibraryOwnership/propriétéUnconditional restitution/restitution sans conditionConciliationUnited Kingdom/Royaume-UniSpoliation Advisory Panel (UK)2019/08/12 10:50:00 GMT+1PageMaori Panels – New Zealand and Ortiz Heirs
https://plone.unige.ch/art-adr/cases-affaires/maori-panels-2013-new-zealand-and-ortiz-heirs-1
In 1972, five rare Maori wooden panels were discovered in a swamp in New Zealand’s North Island. Shortly after the discovery, the panels were illegally exported out of the country by an antiquities dealer and then bought by Swiss collector George Ortiz. In 2014 New Zealand obtained the return of the Maori panels by virtue of an agreement with the heirs of Ortiz.No publisherRequest denied/rejet de la demandeIndigenous object/objet autochtoneIllicit exportation/exportation illiciteConditional restitution/restitution sous conditionSale/venteJudicial claim/action en justiceNegotiation/négociationEnforcement of foreign law/applicabilité du droit public étrangerNew-Zealand/Nouvelle-ZélandeOrtiz HeirsPost 1970 restitution claims/demandes de restitution post 1970Te Papa MuseumChoice of law/droit applicableGeorge OrtizRepurchase/rachatSettlement agreement/accord transactionnelJudicial decision/décision judiciaire2018/11/20 16:45:00 GMT+1PageCuneiform Tablets and Ancient Clay Bullae – United States v. Hobby Lobby
https://plone.unige.ch/art-adr/cases-affaires/450-cuneiform-tablets-and-3-000-ancient-clay-bullae-2013-united-states-v-hobby-lobby
Approximately 4,000 ancient Iraq artifacts were bought by Hobby Lobby’s president and smuggled into the United States, in violation of federal law. In the settlement, Hobby Lobby agreed to pay $3 million in fines and surrender the artifacts, which have now been returned to Iraq and will most likely be displayed in Iraq’s National Museum. No publisherSettlement agreement/accord transactionnelHobby LobbyAntiquity/antiquitésUnconditional restitution/restitution sans conditionSteve GreenIllicit exportation/exportation illiciteIllicit importation/importation illiciteUnited States/États-UnisPost 1970 restitution claims/demandes de restitution post 19702018/08/09 10:50:00 GMT+1PageThe Windmill – Rüdenberg Heirs v. City of Hannover
https://plone.unige.ch/art-adr/cases-affaires/the-windmill-2013-rudenberg-heirs-v-city-of-hannover
Max Rüdenberg, a Jewish salesman and art collector, acquired several modern art pieces beginning in the late 1910s. Due to the discriminatory Nazi politics, the Rüdenberg family was forced to sell the art collection, including the painting “The Windmill” by Karl Schmidt-Rottluff.No publisherOwnership/propriétéArtwork/oeuvre d’artInstitutional facilitator/facilitateur institutionnelMax RüdenbergMediation/médiationProcedural issue/limites procéduralesNegotiation/négociationUnconditional restitution/restitution sans conditionNazi looted art/spoliations naziesCity of HannoverSettlement agreement/accord transactionnel2018/05/16 11:15:00 GMT+1PageMandat signé par Jean Calvin - République et canton de Genève et Sotheby's
https://plone.unige.ch/art-adr/cases-affaires/mandat-signe-par-jean-calvin-2013-republique-et-canton-de-geneve-et-sotheby2019s
En novembre 2016, il est porté à la connaissance de l’archiviste d’État de Genève qu’un document datant du XVIe siècle et volé probablement au XIXe siècle figure sur le catalogue de la prochaine vente aux enchères de Sotheby’s à New York. Un accord d’indemnisation est signé le 1er septembre 2017 entre Sotheby’s, le possesseur et deux intervenants privés. Le même jour, un accord distinct de restitution est signé entre la République et canton de Genève, Sotheby’s et le possesseur.No publisherSettlement agreement/accord transactionnelSwitzerland/SuisseUnited States/États-UnisInalienability/inaliénabilitéCriminal offence/infraction pénaleRepublic and Canton of Geneva/République et canton de GenèveSotheby'sMediation/médiationArchivesPre 1970 restitution claims/demandes de restitution pre 1970Ownership/propriétéFinancial compensation/indemnisationDiplomatic channel/voie diplomatiqueUnconditional restitution/restitution sans condition2018/02/20 14:50:00 GMT+1PageSumpflegende – Héritiers Lissitzky-Küppers et Ville de Munich
https://plone.unige.ch/art-adr/cases-affaires/sumpflegende-2013-heritiers-lissitzky-kuppers-et-ville-de-munich
Après 25 ans de litige juridique et de négociation, le sort de « Sumpflegende », un tableau de Paul Klee prêté à une galerie allemande en 1926 puis confisqué par les Nazis au titre d’art « dégénéré », est scellé. En juillet 2017, les héritiers de Sophie Lissitzky-Küppers, laquelle avait prêté le tableau, concluent un accord avec la Ville de Munich et une fondation privée. L’œuvre reste exposée dans un musée munichois et les héritiers Lissitzky-Küppers sont indemnisés.No publisherJudicial decision/décision judiciaireFondation Gabriele Münter et Johannes EichnerArtwork/oeuvre d’artSymbolic gesture/geste symboliqueDue diligenceMunichJudicial claim/action en justiceFinancial compensation/indemnisationNegotiation/négociationSophie Lissitzky-KüppersStatute of limitation/prescriptionNazi looted art/spoliations naziesOwnership/propriétéSettlement agreement/accord transactionnel2018/01/08 10:35:00 GMT+1PageBuste de Diane – Pologne et Auktionshaus im Kinsky
https://plone.unige.ch/art-adr/cases-affaires/buste-de-diane-2013-pologne-et-auktionshaus-im-kinsky
En juin 2015, le Ministère de la culture polonais apprend qu’un buste de Diane, spolié durant la Seconde Guerre mondiale et disparu depuis, va prochainement être vendu à Vienne par la maison de vente Auktionshaus im Kinsky. Le Ministère contacte alors la société Art Recovery International. Avec l’aide de cette dernière et de l’Ambassadeur ainsi que du Consul général de Pologne en Autriche, le buste est restitué à la Pologne le 18 décembre 2015.No publisherSettlement agreement/accord transactionnelArt Recovery InternationalAuktionshaus im KinskyAd hoc facilitator/facilitateur ad hocMediation/médiationDue diligenceUnconditional restitution/restitution sans conditionOwnership/propriétéArtwork/oeuvre d’artNazi looted art/spoliations naziesDiplomatic channel/voie diplomatiquePoland/Pologne2017/12/11 17:35:00 GMT+1PageG’psgolox Totem Pole – Haisla and Sweden and the Stockholm Museum of Ethnography
https://plone.unige.ch/art-adr/cases-affaires/g2019psgolox-totem-pole-2013-haisla-and-sweden-and-museum-of-ethnography
In 1927, a totem pole belonging to the Haisla tribe in Canada was stolen and brought to the Stockholm Museum of Ethnography. In 1991, the tribe discovered the location of their totem pole, known as the G’psgolox totem pole, and requested that it be returned. After fifteen years of negotiations, the G’psgolox totem pole was formally returned to the tribe in 2006. No publisherIndigenous object/objet autochtoneIllicit exportation/exportation illiciteConditional restitution/restitution sous conditionCopy/copieNegotiation/négociationHaislaPre 1970 restitution claims/demandes de restitution pre 1970Criminal offence/infraction pénaleSettlement agreement/accord transactionnelStockholm Museum of EthnographyAd hoc facilitator/facilitateur ad hocSweden/Suède2017/10/10 14:45:00 GMT+1Page