Centre du droit de l'art
https://plone.unige.ch/art-adr
Young Couple in a Landscape – Feldmann Heirs and British Museum
https://plone.unige.ch/art-adr/cases-affaires/young-couple-in-a-landscape-2013-feldmann-heirs-and-british-museum
Czech-Jewish Arthur Feldmann’s collection of drawings, including “Young Couple in a Landscape”, was illegally seized and liquidated by the Gestapo in 1939. The painting was later acquired by the collector Edmund Schilling in the 1960s, who donated it to the British Museum in 1997. Uri Peled, Feldmann’s grandson, made a claim to the drawing a few years later.No publisherDeaccessionSettlement agreement/accord transactionnelArtwork/oeuvre d’artEx gratia payment/versement à titre gracieuxDue diligenceArthur FeldmannNegotiation/négociationNazi looted art/spoliations naziesOwnership/propriétéBritish Museum2015/10/07 12:05:00 GMT+1DocumentWeary Herakles – Turkey and Museum of Fine Arts Boston
https://plone.unige.ch/art-adr/cases-affaires/weary-herakles-2013-turkey-and-museum-of-fine-arts-boston
The “Weary Herakles” is a Roman marble statue that was excavated in 1980 in Perge, Turkey. In 1981, the Museum of Fine Arts Boston acquired a half-interest in the upper part of the sculpture, while the other half-interest was owned by collectors Leon Levy and Shelby White.No publisherDeaccessionMuseum of Fine Arts BostonSettlement agreement/accord transactionnelAntalya MuseumIllicit exportation/exportation illiciteArchaeological object/objet archéologiqueDiplomatic channel/voie diplomatiqueUnconditional restitution/restitution sans conditionNegotiation/négociationIllicit excavation/fouille illicitePost 1970 restitution claims/demandes de restitution post 1970Ownership/propriétéTurkey/Turquie2013/02/23 16:45:00 GMT+1DocumentWasco Sally Bag – American dealer and Paul Cary and the Yakama Nation Museum
https://plone.unige.ch/art-adr/cases-affaires/wasco-sally-bag-2013-american-dealer-and-paul-cary-and-the-yakama-nation-museum
In 2007, Paul Cary acquired a Wasco Sally bag, an object from the Native American group, the Yakama Nation, from an American dealer. When Paul Cary learned that the bag was stolen from the Yakama Nation Museum, he returned it to the dealer and informed the museum. Subsequent negotiations initiated between the museum and the dealer would have remained unfruitful, if it was not for the involvement of Paul Cary. He offered the dealer financial compensation for half of his losses should he return the bag to the museum. Moreover, he would attempt to obtain the financing of the second half from the Yakama tribe. The parties agreed.No publisherIndigenous object/objet autochtoneAd hoc facilitator/facilitateur ad hocPrivate person/personne privéeYakama Nation MuseumConditional restitution/restitution sous conditionPaul CaryFinancial compensation/indemnisationNegotiation/négociationPost 1970 restitution claims/demandes de restitution post 1970Ownership/propriétéSettlement agreement/accord transactionnel2013/01/31 13:50:00 GMT+1DocumentView of the Asylum and Chapel at St. Rémy – Mauthner Heirs v. Elizabeth Taylor
https://plone.unige.ch/art-adr/cases-affaires/case-view-of-the-asylum-and-chapel-at-st-remy-2013-mauthner-heirs-v-elizabeth-taylor
In 2007, the court battle over the van Gogh painting “View of the Asylum and Chapel at St. Rémy” came to an end when the United States Supreme Court denied a writ of certiorari, thereby finalising the decision of the Court of Appeals for the Ninth Circuit in Pasadina.No publisherJudicial decision/décision judiciaireRequest denied/rejet de la demandeArtwork/oeuvre d’artDue diligenceJudicial claim/action en justiceElizabeth TaylorProcedural issue/limites procéduralesStatute of limitation/prescriptionNazi looted art/spoliations naziesOwnership/propriétéMargarethe Mauthner2013/02/05 18:30:00 GMT+1DocumentView of Les Saintes-Maries-de-la-Mer – Mauthner Heirs v. Switzerland
https://plone.unige.ch/art-adr/cases-affaires/case-view-of-les-saintes-maries-de-la-mer-2013-mauthner-heir-v-switzerland
Andrew Orkin sued the Swiss Confederation, the Oskar Reinhart Foundation and the Oskar Reinhart Collection in the United States in order to recover possession of the drawing “View of Les Saintes-Maries-de-la-Mer”. Orkin alleged that his great-grandmother, Margarethe Mauthner, sold the painting under duress during the Nazi era.No publisherJudicial decision/décision judiciaireRequest denied/rejet de la demandeMargarethe MauthnerState immunity/immunité des EtatsSwitzerland/SuisseOskar Reinhart CollectionOskar Reinhart FoundationJudicial claim/action en justiceProcedural issue/limites procéduralesJurisdiction/conflit de jurisdictionNazi looted art/spoliations naziesOwnership/propriétéArtwork/oeuvre d’art2013/02/06 16:15:00 GMT+1DocumentVictorious Youth – Italy v. J. Paul Getty Museum
https://plone.unige.ch/art-adr/cases-affaires/victorious-youth-2013-italy-v-j-paul-getty-museum
The “Victorious Youth” – a life-size bronze statue created sometime between the 4th and 2nd century BC – is at the centre of an ongoing dispute between Italy and the J. Paul Getty Museum. This statue was discovered in 1964, caught up in the nets of a fishing boat working out of the port of Fano on the Adriatic coast of Italy.No publisherJudicial decision/décision judiciaireOngoing dispute/litige en coursItaly/ItalieJ. Paul Getty MuseumEnforcement of foreign law/applicabilité du droit public étrangerDue diligenceIllicit exportation/exportation illiciteArchaeological object/objet archéologiqueJudicial claim/action en justiceDiplomatic channel/voie diplomatiquePre 1970 restitution claims/demandes de restitution pre 1970Negotiation/négociationChoice of law/droit applicableProcedural issue/limites procéduralesIllicit importation/importation illiciteOwnership/propriété2013/04/02 15:55:00 GMT+1DocumentVallée de la Stour – Héritiers Jaffé et La Chaux-de-Fonds
https://plone.unige.ch/art-adr/cases-affaires/vallee-de-la-stour-2013-heritiers-jaffe-et-la-chaux-de-fonds
En 2006, la Ville de La Chaux-de-Fonds reçoit une demande de restitution pour le tableau « La Vallée de la Stour » de John Constable exposé au Musée des beaux-arts de La Chaux-de-Fonds. Le requérant représente les ayants droit héritiers de John et Anna Jaffé, dont les biens, y compris ce tableau, ont été spoliés par les Nazis durant la Deuxième Guerre mondiale. Après avoir d’abord refusé, la Ville accepte de restituer le tableau à l’automne 2017 suite à une procédure de conciliation judiciaire. Le Tableau est restitué aux héritiers le 12 mars 2018.No publisherHéritiers JunodConciliationArtwork/oeuvre d’artJohn et Anna JafféMusée des beaux-arts de La Chaux-de-FondsSymbolic gesture/geste symboliqueDue diligenceUnconditional restitution/restitution sans conditionLa Chaux-de-FondsStatute of limitation/prescriptionFinancial compensation/indemnisationNegotiation/négociationAd hoc facilitator/facilitateur ad hocNazi looted art/spoliations naziesOwnership/propriétéInalienability/inaliénabilité2017/11/21 15:25:00 GMT+1DocumentUlanen auf dem Marsch – Fondation Max et Iris Stern et Bayerische Staatsgemäldesammlungen
https://plone.unige.ch/art-adr/cases-affaires/ulanen-auf-dem-marsch-2013-fondation-max-et-iris-stern-et-bayerische-staatsgemaldesammlungen
En juin 1936, dans un contexte de montée du nazisme, Max Stern, un galeriste juif, vend l’œuvre d’art intitulée « Ulanen auf dem Marsch ». Cette œuvre d’art est acquise en 1986 par le Bayerische Staatsgemäldesammlungen. La Fondation Max et Iris Stern, représentant les héritiers de Max Stern, demande la restitution de la peinture au musée bavarois par le biais de la « Beratende Kommission ».No publisherOwnership/propriétéBeratende Kommission für die Rückgabe NS-verfolgungsbedingt entzogener Kulturgüter, insbesondere aus jüdischem BesitzConditional restitution/restitution sous conditionArtwork/oeuvre d’artFondation Max et Iris SternNazi looted art/spoliations naziesConciliationBayerische StaatsgemäldesammlungenAd hoc facilitator/facilitateur ad hoc2020/01/07 11:10:00 GMT+1DocumentTwo Souza paintings – Kurtha v. Marks
https://plone.unige.ch/art-adr/cases-affaires/two-souza-paintings-2013-kurtha-v-marks
In 1982, Dr Aziz Kurtha purchased two paintings from the Indian artist Francis Souza. They were stolen years later and their ownership changed a number of times, before Michael Marks purchased them on 10 January 2006. No publisherJudicial claim/action en justiceCriminal offence/infraction pénaleAd hoc facilitator/facilitateur ad hocArtwork/oeuvre d’artMichael MarksFrancis Newton SouzaAziz KurthaUnconditional restitution/restitution sans conditionPost 1970 restitution claims/demandes de restitution post 1970Judicial decision/décision judiciaireOwnership/propriété2015/10/08 02:15:00 GMT+1DocumentTwo Schiele Paintings – Grunbaum Heirs v. Richard Nagy
https://plone.unige.ch/art-adr/cases-affaires/two-schiele-paintings-2013-grunbaum-heirs-v-richard-nagy
In 1938, the Nazis expropriated the art collection of Fritz Grunbaum while he was detained in Dachau concentration camp. In 2016, the Grunbaum heirs filed suit against Richard Nagy, the art dealer in possession of two of the paintings by Schiele that formed part of Fritz Grunbaum’s collection (“Woman in a Black Pinafore” and “Woman Hiding Her Face”). Eventually, the New York’s Supreme Court directed Nagy to return the artworks to the Grunbaum heirs.No publisherUnconditional restitution/restitution sans conditionJudicial decision/décision judiciaireRichard NagyArtwork/oeuvre d’artDue diligenceJudicial claim/action en justiceProcedural issue/limites procéduralesFritz and Elizabeth GrunbaumStatute of limitation/prescriptionNazi looted art/spoliations naziesOwnership/propriété2019/11/29 15:30:00 GMT+1DocumentTwo Lithographs of the Glaser Collection – Glaser Heirs and Kunstmuseum Basel
https://plone.unige.ch/art-adr/cases-affaires/two-lithographs-of-the-glaser-collection-2013-glaser-heirs-and-kunstmuseum-basel
In 1933, the Kunstmuseum Basel purchased about 200 drawings and prints at the Max Perl auction in Berlin. These works belonged to Curt Glaser, a Jewish art collector and director of the Art Library in Berlin. In 2004, the Glaser heirs requested the Kunstmuseum to return two artworks by Edvard Munch, but the Museum refused. Following negociations, the Kunstmuseum Basel and the heirs of Curt Glaser reached a seemingly “just and fair solution”.No publisherStatute of limitation/prescriptionOwnership/propriétéArtwork/oeuvre d’artFinancial compensation/indemnisationCanton of Basel-CityNegotiation/négociationRequest denied/rejet de la demandeNazi looted art/spoliations naziesDue diligenceMediation/médiationCurt GlaserConciliationSettlement agreement/accord transactionnelProcedural issue/limites procéduralesKunstmuseum Basel2020/10/02 09:10:00 GMT+1DocumentTwo Dürer Paintings – Kunstsammlungen Zu Weimar v. Elicofon
https://plone.unige.ch/art-adr/cases-affaires/2-durer-paintings-2013-kunstsammlungen-zu-weimar-v-elicofon
In 1945, two portraits by Albrecht Dürer were stolen from the collection of the Staatliche Kunstsammlungen zu Weimar. Stored for safekeeping in the Schwarburg Castle during the Second World War, the paintings disappeared during the time that American troops occupied the Castle. No publisherUnconditional restitution/restitution sans conditionJudicial decision/décision judiciaireCriminal offence/infraction pénaleGermany/AllemagneArtwork/oeuvre d’artEdward I. ElicofonDue diligenceJudicial claim/action en justiceGrand Duchess of Saxony-WeimarSpoils of war/butins de guerreProcedural issue/limites procéduralesChoice of law/droit applicableStatute of limitation/prescriptionOwnership/propriétéKunstsammlungen Zu Weimar2012/11/16 15:05:00 GMT+1DocumentTwo Bronze Animal Heads – China and Pierre Bergé
https://plone.unige.ch/art-adr/cases-affaires/two-bronze-animal-heads-2013-china-and-pierre-berge
In February of 2009, Christie’s offered at auction two 18th-century bronze fountainheads – a rabbit and a rat – owned by the estate of Yves Saint Laurent and his longtime-partner Pierre Bergé. Stolen from the Old Summer Palace by British and French forces during the Second Opium War in 1860, the two heads’ sale provoked controversial international debate, inspiring a Chinese national to bid upon the bronzes at auction and refuse payment. In June of 2013, François-Henri Pinault, owner of Christie’s, returned to China the fountainheads in an effort to strengthen diplomatic and trade relations between France and China.No publisherAntiquity/antiquitésAd hoc facilitator/facilitateur ad hocState responsibility/responsabilité internationale des EtatsPierre BergéSpoils of war/butins de guerreChina/ChineDiplomatic channel/voie diplomatiqueDonationFinancial compensation/indemnisationNegotiation/négociationUnconditional restitution/restitution sans conditionOwnership/propriété2013/08/09 10:50:00 GMT+1DocumentTroy Gold – Turkey and the University of Pennsylvania Museum of Archaeology and Anthropology
https://plone.unige.ch/art-adr/cases-affaires/troy-gold-2013-turkey-and-the-university-of-pennsylvania-museum-of-archaeology-and-anthropology
In September 2012, the University of Pennsylvania Museum of Archaeology and Anthropology decided to loan indefinitely to Turkey a collection of antique jewelry that the Museum had acquired in 1966. The collection was probably illicitly excavated in Troy, a city in Northwest Turkey. In return, Turkey agreed to provide the Museum important loans and further collaboration in the field of archaeology.No publisherSettlement agreement/accord transactionnelIllicit excavation/fouille illiciteIllicit exportation/exportation illiciteArchaeological object/objet archéologiquePre 1970 restitution claims/demandes de restitution pre 1970Negotiation/négociationCultural cooperation/coopération culturelleUniversity of Pennsylvania Museum of Archaeology and AnthropologyOwnership/propriétéTurkey/TurquieLoan/prêt2013/05/14 11:50:00 GMT+1DocumentTrois tableaux spoliés – Héritiers Oppenheimer, van Doorn, Soepkez et France
https://plone.unige.ch/art-adr/cases-affaires/trois-tableaux-spolies-2013-heritiers-oppenheimer-van-doorn-soepkez-et-france
Le 11 mars 2014, Aurélie Filippetti, Ministre de la Culture et de la Communication du gouvernement français, a officiellement restitué aux ayants-droit des trois familles qui avaient été spoliées par les Nazis (Oppenheimer, van Doorn et Soepkez) trois tableaux qui avaient été classés « Musées Nationaux Récupération ».No publisherOwnership/propriétéArtwork/oeuvre d’artInstitutional facilitator/facilitateur institutionnelJakob and Rosa OppenheimerRichard SoepkezStatute of limitation/prescriptionUnconditional restitution/restitution sans conditionNazi looted art/spoliations naziesFranceBaron Cassel van Doorn2014/05/05 14:55:00 GMT+1Document