Centre du droit de l'art
https://plone.unige.ch/art-adr
Icklingham Bronzes – John Browning and Leon Levy and Shelby White
https://plone.unige.ch/art-adr/cases-affaires/icklingham-bronzes-2013-john-browning-and-leon-levy-and-shelby-white
A group of antiquities known as the “Icklingham Bronzes” were illicitly excavated from the farm of John Browning sometime in the early 1980s. By 1989 they were on sale in New York. John Browning formally demanded the restitution of the Bronzes from Leon Levy and Shelby White, the good faith purchasers, but the request was rejected.No publisherLeon LevyOwnership/propriétéIllicit exportation/exportation illicitePost 1970 restitution claims/demandes de restitution post 1970Shelby WhiteJudicial claim/action en justiceNegotiation/négociationArchaeological object/objet archéologiqueDonationDue diligenceJohn BrowningIllicit excavation/fouille illiciteAriadne GalleriesSettlement agreement/accord transactionnel2013/02/18 18:50:00 GMT+1DocumentJiroft Collection – Iran v. Barakat Galleries
https://plone.unige.ch/art-adr/cases-affaires/jiroft-collection-2013-iran-v-barakat-galleries
The Government of the Islamic Republic of Iran sued the London-based Barakat Galleries seeking the restitution of a collection of eighteen carved jars, bowls and cups which had been illicitly excavated in the Jiroft region, in Southeast Iran, and subsequently exported abroad. The Court of Appeal, overruling the trial court decision, held that the relevant laws of Iran were sufficiently clear to vest ownership title and an immediate right of possession of the relics in the Iranian State.No publisherOwnership/propriétéIllicit exportation/exportation illiciteJudicial decision/décision judiciaireIranUnconditional restitution/restitution sans conditionEnforcement of foreign law/applicabilité du droit public étrangerArchaeological object/objet archéologiqueThe Barakat Galleries Ltd.Choice of law/droit applicableJudicial claim/action en justiceIllicit excavation/fouille illiciteProcedural issue/limites procéduralesPost 1970 restitution claims/demandes de restitution post 19702013/02/19 12:10:00 GMT+1DocumentLydian Hoard – Turkey and Metropolitan Museum of Art
https://plone.unige.ch/art-adr/cases-affaires/lydian-hoard-2013-turkey-and-metropolitan-museum-of-art-1
The Lydian Hoard is a sixth-century B.C. collection of gold and silver objects which was clandestinely excavated in Turkey in the 1960s. It was purchased by the Metropolitan Museum of Art (MET) of New York. A formal demand for its return was made by Turkey in 1986.No publisherOwnership/propriétéIllicit exportation/exportation illiciteMetropolitan Museum of ArtCultural cooperation/coopération culturelleJudicial claim/action en justiceNegotiation/négociationStatute of limitation/prescriptionTurkey/TurquieArchaeological object/objet archéologiquePre 1970 restitution claims/demandes de restitution pre 1970Due diligenceIllicit excavation/fouille illiciteSettlement agreement/accord transactionnelUnconditional restitution/restitution sans condition2013/02/19 12:55:00 GMT+1DocumentMachu Picchu Collection – Peru and Yale University
https://plone.unige.ch/art-adr/cases-affaires/machu-picchu-collection-2013-peru-and-yale-university
Between 1912 and 1916, Hiram Bingham, a history professor at Yale University, shipped to the United States several artefacts that had been excavated at the Machu Picchu site with the authorization of the Peruvian Government. Peru formally requested restitution in 1918 and 1920, but to no avail. In 2001, negotiations between Peru and Yale University resumed. However, the resulting accord discontented the Peruvian Government. As a result, Peru filed suit in the United States against Yale University seeking the return of the collection and damages.No publisherPeru/PérouOwnership/propriétéYale UniversityConditional restitution/restitution sous conditionCultural cooperation/coopération culturelleJudicial claim/action en justiceNegotiation/négociationStatute of limitation/prescriptionDiplomatic channel/voie diplomatiqueArchaeological object/objet archéologiquePre 1970 restitution claims/demandes de restitution pre 1970Settlement agreement/accord transactionnelAd hoc facilitator/facilitateur ad hoc2013/02/19 13:35:00 GMT+1DocumentAncient Manuscripts and Globe – Saint-Gall and Zurich
https://plone.unige.ch/art-adr/cases-affaires/ancient-manuscripts-and-globe-saint-gall-and-zurich
Thanks to the Swiss Confederation who acted as a mediator, the dispute between the Cantons of Zurich and Saint-Gall over cultural objects displaced during the religious wars of 1712 was ultimately settled in 2006 by an inventive agreement.No publisherSettlement agreement/accord transactionnelNegotiation/négociationAd hoc facilitator/facilitateur ad hocAntiquity/antiquitésMediation/médiationCanton of Saint-Gall/Canton de Saint-GallOwnership/propriétéSpoils of war/butins de guerreCanton of Zurich/Canton de ZurichCopy/copieLoan/prêt2013/02/19 15:25:00 GMT+1DocumentMadonna and Child in a Landscape – Philipp von Gomperz Heirs and North Carolina Museum of Art
https://plone.unige.ch/art-adr/cases-affaires/madonna-and-child-in-a-landscape-2013-north-carolina-museum
In 2000, the North Carolina Museum of Art handed over the painting “Madonna and Child in a Landscape” to Philipp von Gomperz’s heirs after being presented with evidence that it had been looted by the Nazis. The heirs rewarded the Museum’s response by selling the painting to it at a price substantially below its market value.No publisherNorth Carolina Museum of ArtOwnership/propriétéArtwork/oeuvre d’artNegotiation/négociationSale/venteNazi looted art/spoliations naziesSymbolic gesture/geste symboliquePhilipp von GomperzSettlement agreement/accord transactionnel2013/02/19 16:30:00 GMT+1DocumentNataraja Idol – India and the Norton Simon Foundation
https://plone.unige.ch/art-adr/cases-affaires/nataraja-idol-2013-india-and-norton-simon-foundation-1
In 1956, an ancient bronze statue of the Lord Siva (Lord of the Cosmic Dance or Sivapuram Nataraja) was removed from a temple in India for restoration purposes, subsequently held by an Indian private collector and ultimately sent to the United States with false export documents. In 1973, the Nataraja idol was sold by a New York dealer to the Norton Simon Foundation.No publisherCriminal offence/infraction pénaleSettlement agreement/accord transactionnelIndia/IndeConditional restitution/restitution sous conditionArchaeological object/objet archéologiqueJudicial claim/action en justicePre 1970 restitution claims/demandes de restitution pre 1970Negotiation/négociationOwnership/propriétéNorton Simon FoundationLoan/prêt2013/02/19 16:55:00 GMT+1DocumentOdalisque Painting – Paul Rosenberg Heirs and Seattle Art Museum
https://plone.unige.ch/art-adr/cases-affaires/odalisque-painting-2013-paul-rosenberg-heirs-and-seattle-art-museum
In June 1999, the Seattle Art Museum returned the painting Oriental Woman Seated on Floor (also known as Odalisque), by Henri Matisse, to the heirs of Paul Rosenberg. The painting was donated to the museum in 1991 by the Bloedel family.No publisherSettlement agreement/accord transactionnelArtwork/oeuvre d’artBreach of contract/violation du contratSeattle Art MuseumDue diligenceJudicial claim/action en justiceProcedural issue/limites procéduralesNegotiation/négociationUnconditional restitution/restitution sans conditionNazi looted art/spoliations naziesOwnership/propriétéPaul Rosenberg2013/02/19 19:40:00 GMT+1DocumentLighthouse With Rotating Beam – Flechtheim Heirs and Kunstmuseum Bonn
https://plone.unige.ch/art-adr/cases-affaires/lighthouse-with-rotating-beam-2013-flechtheim-heirs-and-kunstmuseum-bonn-1
The heirs of the art dealer and collector Alfred Flechtheim besought the Kunstmuseum Bonn for the restitution of the painting “Lighthouse With Rotating Beam” by Paul Adolf Seehaus, alleging that it was part of Alfred Flechtheim’s collection before he fled Nazi persecution. After consideration of the claim, the Museum decided to keep the painting, but agreed to reimburse the heirs for half its market value. No publisherAlfred FlechtheimOwnership/propriétéKunstmuseum BonnArtwork/oeuvre d’artFinancial compensation/indemnisationNegotiation/négociationNazi looted art/spoliations naziesSymbolic gesture/geste symboliqueSettlement agreement/accord transactionnel2013/02/20 09:25:00 GMT+1DocumentLandscape with Smokestacks – Friedrich Gutmann Heirs and Daniel Searle
https://plone.unige.ch/art-adr/cases-affaires/landscape-with-smokestacks-2013-friedrich-gutmann-heirs-and-daniel-searle
The heirs of Friedrich and Louise Gutmann, filed a claim against the art dealer Daniel Searle, the owner of the painting “Landscape with Smokestacks”. The painting was allegedly looted by the Nazis during the Second World War. After four years of litigation, the parties agreed to share the ownership of the painting. No publisherOwnership/propriétéFriedrich GutmannArtwork/oeuvre d’artJudicial claim/action en justiceNegotiation/négociationNazi looted art/spoliations naziesCo-ownership/co-propriétéDaniel SearleRepurchase/rachatSettlement agreement/accord transactionnel2013/02/20 09:45:00 GMT+1DocumentBaldin Collection – Kunsthalle Bremen, Germany and State Hermitage Museum Russia
https://plone.unige.ch/art-adr/cases-affaires/baldin-collection-2013-kunsthalle-bremen-germany-and-state-hermitage-museum-russia-1
In the aftermath of the Second World War, the Soviet Army Captain Victor Baldin brought to Moscow many artworks of the collection of the Kunsthalle Bremen (Bremen Art Museum). The dispute for the restitution of the so-called “Baldin Collection” is ongoing and has grown to one of the most debated cases between Germany and Russia.No publisherStatute of limitation/prescriptionState Hermitage MuseumArtwork/oeuvre d’artOngoing dispute/litige en coursGermany/AllemagneKunsthalle BremenSpoils of war/butins de guerreRequest denied/rejet de la demandeNegotiation/négociationOwnership/propriétéAd hoc facilitator/facilitateur ad hocRussia/RussieDiplomatic channel/voie diplomatiqueState responsibility/responsabilité internationale des Etats2013/02/20 10:15:00 GMT+1DocumentFresques de Casenoves – Musée d’Art et d’Histoire de la Ville de Genève et la France
https://plone.unige.ch/art-adr/cases-affaires/fresques-de-casenoves-2013-musee-d2019art-et-d2019histoire-de-la-ville-de-geneve-et-ministere-de-la-culture-francais
Le 1er juillet 1997, le Musée d’art et d’histoire de la Ville de Genève et l'Etat français, representé par son Ministère de la culture, ont signé un accord portant sur le prêt de deux fragments des fresques de Casenoves (Christ en Majesté et Adoration des Mages). Le 19 mars 2003, le Conseil administratif de la Ville de Genève a décidé de transformer ce prêt en donation.
No publisherOwnership/propriétéNegotiation/négociationDonationJudicial claim/action en justiceArtwork/oeuvre d’artLoan/prêtPre 1970 restitution claims/demandes de restitution pre 1970Abegg Foundation/Fondation AbeggSettlement agreement/accord transactionnelFranceJudicial decision/décision judiciaireMusée d'Art et d'Histoire de GenèveJurisdiction/conflit de jurisdictionInalienability/inaliénabilité2013/02/20 11:55:00 GMT+1DocumentPâté de Jambon – Anonymous German Heirs and Glasgow City Council
https://plone.unige.ch/art-adr/cases-affaires/pate-de-jambon-2013-anonymous-german-heirs-and-glasgow-city-council
“Pâté de Jambon”, a painting by Jean-Baptiste-Siméon Chardin, was the object of a forced sale in 1936. The owners, the Jewish shareholders of an art gallery, were forced to sell the artwork to meet an unfair Nazi tax demand.No publisherNazi looted art/spoliations naziesOwnership/propriétéDeaccessionDue diligenceNegotiation/négociationAnonymous German HeirsSettlement agreement/accord transactionnelConciliationGlasgow City CouncilEx gratia payment/versement à titre gracieux2013/02/20 15:45:00 GMT+1DocumentWeary Herakles – Turkey and Museum of Fine Arts Boston
https://plone.unige.ch/art-adr/cases-affaires/weary-herakles-2013-turkey-and-museum-of-fine-arts-boston
The “Weary Herakles” is a Roman marble statue that was excavated in 1980 in Perge, Turkey. In 1981, the Museum of Fine Arts Boston acquired a half-interest in the upper part of the sculpture, while the other half-interest was owned by collectors Leon Levy and Shelby White.No publisherDeaccessionMuseum of Fine Arts BostonSettlement agreement/accord transactionnelAntalya MuseumIllicit exportation/exportation illiciteArchaeological object/objet archéologiqueDiplomatic channel/voie diplomatiqueUnconditional restitution/restitution sans conditionNegotiation/négociationIllicit excavation/fouille illicitePost 1970 restitution claims/demandes de restitution post 1970Ownership/propriétéTurkey/Turquie2013/02/23 16:45:00 GMT+1DocumentNähschule – Max Silberberg Heirs and Bündner Kunstmuseum Chur
https://plone.unige.ch/art-adr/cases-affaires/nahschule-2013-max-silberberg-heirs-and-bundner-kunstmuseum-chur
The painting, “Nähschule – Arbeitssaal im Amsterdamer Waisenhaus” by Max Lieberman, was bequeathed to the Art Museum in Chur (Bündner Kunstmuseum Chur) in 1992, and was claimed in 1999 by the heir of Max Silberberg. The Jewish art collector was forced to sell it in 1934 due to great financial pressure under the growing persecution of Jews at the prelude to the Second World War. In May 2000, the Art Museum in Chur agreed to an unconditional restitution of the painting to the heir.No publisherSettlement agreement/accord transactionnelArtwork/oeuvre d’artBündner Kunstmuseum ChurUnconditional restitution/restitution sans conditionNegotiation/négociationMax SilberbergNazi looted art/spoliations naziesOwnership/propriété2013/03/20 10:15:00 GMT+1Document