Centre du droit de l'art
https://plone.unige.ch/art-adr
Trois tableaux spoliés – Héritiers Oppenheimer, van Doorn, Soepkez et France
https://plone.unige.ch/art-adr/cases-affaires/trois-tableaux-spolies-2013-heritiers-oppenheimer-van-doorn-soepkez-et-france
Le 11 mars 2014, Aurélie Filippetti, Ministre de la Culture et de la Communication du gouvernement français, a officiellement restitué aux ayants-droit des trois familles qui avaient été spoliées par les Nazis (Oppenheimer, van Doorn et Soepkez) trois tableaux qui avaient été classés « Musées Nationaux Récupération ».No publisherOwnership/propriétéArtwork/oeuvre d’artInstitutional facilitator/facilitateur institutionnelJakob and Rosa OppenheimerRichard SoepkezStatute of limitation/prescriptionUnconditional restitution/restitution sans conditionNazi looted art/spoliations naziesFranceBaron Cassel van Doorn2014/05/05 14:55:00 GMT+1PageBeneventan Missal – Metropolitan Chapter of the Cathedral City of Benevento and British Library
https://plone.unige.ch/art-adr/cases-affaires/beneventan-missal-2013-metropolitan-chapter-of-the-cathedral-city-of-benevento-and-british-library
On 11 November 2010, a 12th Century manuscript, also known as the “Beneventan Missal”, was returned to the Metropolitan Chapter of the Cathedral City of Benevento, in Italy. The Missal disappeared in 1943 when the city was occupied by the Allied forces during World War II.No publisherDeaccessionStatute of limitation/prescriptionSpoils of war/butins de guerreDue diligenceMetropolitan Chapter of the Cathedral City of BeneventoArtwork/oeuvre d’artUnconditional restitution/restitution sans conditionBritish LibraryInstitutional facilitator/facilitateur institutionnelConciliationSpoliation Advisory Panel (UK)2014/07/15 14:55:00 GMT+1PageChrist and the Samaritan Woman at the Well – Gross-Eisenstädt Heirs and Museum de Fundatie
https://plone.unige.ch/art-adr/cases-affaires/christ-and-the-samaritan-woman-2013-gross-eisenstadt-heirs-and-museum-de-fundatie
In 1933, Jewish businessman and art collector Richard Semmel was forced to leave Berlin and sell parts of his art collection for economic survival. Among the works was the Italian painting Christ and the Samaritan Woman at the Well, which was bought by Dirk Hannema, a Dutch museums director. Since 1964, the painting has been in the Museum de Fundatie, which Hannema founded and to which he donated the painting. No publisherSymbolic gesture/geste symboliqueNegotiation/négociationRequest denied/rejet de la demandeInstitutional facilitator/facilitateur institutionnelGross-Eisenstädt HeirsArtwork/oeuvre d’artOwnership/propriétéRichard SemmelNazi looted art/spoliations naziesMuseum de FundatieLegacy/legs2015/03/03 18:35:00 GMT+1PageRoad to Calvary – Oppenheimer Heirs and Private Person
https://plone.unige.ch/art-adr/cases-affaires/road-to-calvary-2013-oppenheimer-heirs-and-private-person
In 1935, Nazi authorities took from Jakob and Rosa Oppenheimer a painting entitled “Road to Calvary” by Brunswijker Monogrammist and sold it at auction. The painting resurfaced in 2006 when a Dutch private individual brought it to Sotheby’s determined to sell it. Instead of asking for the painting’s restitution, the Oppenheimer heirs demanded a portion of the sale’s proceeds. The Dutch Restitutions Committee issued a binding opinion on the matter, as requested by the parties.No publisherSettlement agreement/accord transactionnelArtwork/oeuvre d’artInstitutional facilitator/facilitateur institutionnelPrivate person/personne privéeDue diligenceSale/venteNazi looted art/spoliations naziesOwnership/propriétéJakob and Rosa Oppenheimer2012/11/19 09:50:00 GMT+1PageGuelph Treasure – Alan Philipp, Gerald G. Stiebel and Jed R. Leiber v. Germany and Prussian Cultural Heritage Foundation
https://plone.unige.ch/art-adr/cases-affaires/case-guelph-treasure-2013-alan-philipp-gerald-g-stiebel-and-jed-r-leiber-v-germany-and-prussian-cultural-heritage-foundation-1
A collection of medieval ecclesiastical art is claimed by the heirs of three Jewish dealers, who allege that the collection was sold under duress during the Nazi era. After an unsuccessful conciliation in front of Germany’s Advisory Commission, the claim is being litigated before the courts of the United States. On 3 February 2021, the Supreme Court of the United States ruled in favour of Germany on the interpretation of the expropriation exception in the Foreign Sovereign Immunities Act.No publisherJudicial decision/décision judiciaireOngoing dispute/litige en coursGermany/AllemagneConciliationArtwork/oeuvre d’artState immunity/immunité des EtatsExpropriationInstitutional facilitator/facilitateur institutionnelGerald G. StiebelJudicial claim/action en justiceAlan PhilippJed R. LeiberJurisdiction/conflit de jurisdictionState responsibility/responsabilité internationale des EtatsPrussian Cultural Heritage FoundationNazi looted art/spoliations naziesOwnership/propriétéNegotiation/négociation2021/06/28 10:20:00 GMT+1PageBogazköy Sphinx – Turkey and Germany
https://plone.unige.ch/art-adr/cases-affaires/bogazkoy-sphinx-2013-turkey-and-germany
In 2011, Germany decided to conclude the long running dispute concerning the “Boğazköy Sphinx” by voluntarily transferring to the Turkish Government the title of the sculpture.No publisherSettlement agreement/accord transactionnelOwnership/propriétéNegotiation/négociationInstitutional facilitator/facilitateur institutionnelCultural cooperation/coopération culturellePre 1970 restitution claims/demandes de restitution pre 1970Germany/AllemagneUnconditional restitution/restitution sans conditionArchaeological object/objet archéologiqueTurkey/Turquie2013/02/15 14:55:00 GMT+1Page