Centre du droit de l'art
https://plone.unige.ch/art-adr
One-Thousand-Five-Hundred-Pound, Hand-Carved Lintels Removed from Religious Temples in Thailand – United States of America and City & County of San Francisco
https://plone.unige.ch/art-adr/cases-affaires/one-thousand-five-hundred-pound-hand-carved-lintels-removed-from-religious-temples-in-thailand-2013-united-states-of-america-and-city-county-of-san-francisco
In 2017, the government of Thailand formally requested that the United States restitute two ancient stone lintels of Khmer origin that had been removed from Thai temples between 1959–1968 and acquired by the Asian Art Museum in San Francisco. From 2017 to 2020, the United States and Thailand negotiated with the Museum for the restitution of the lintels, but in October 2020, the United States sued the Museum in federal court to seek their forfeiture. In February 2021, the Museum and the United States settled the case for a conditional restitution of the lintels to Thailand.No publisherDeaccessionAntiquity/antiquitésSettlement agreement/accord transactionnelKingdom of ThailandConditional restitution/restitution sous conditionDue diligenceIllicit exportation/exportation illiciteJudicial claim/action en justiceDiplomatic channel/voie diplomatiquePre 1970 restitution claims/demandes de restitution pre 1970Negotiation/négociationUnited States/États-UnisOwnership/propriétéCity & County of San Francisco2023/10/09 11:05:00 GMT+1PageSabre de El Hadj Omar Tall – France et Sénégal
https://plone.unige.ch/art-adr/cases-affaires/sabre-de-el-hadj-omar-tall-2013-france-et-senegal
Le sabre avec fourreau, attribué à El Hadj Omar Tall, pris dans des circonstances encore obscures, a été conservé en France à la suite de la conquête de l’Empire Toucouleur, puis prêté à deux reprises au Sénégal avant d’être définitivement restitué par la France, en 2021, par le vote d’une loi de restitution issue d’une initiative politique française.No publisherDeaccessionAntiquity/antiquitésSénégalSymbolic gesture/geste symboliqueUnconstrained initiative/initiative spontanéeFranceColonialism/colonialismeProcedural issue/limites procéduralesCultural cooperation/coopération culturelleUnconditional restitution/restitution sans conditionOwnership/propriétéInalienability/inaliénabilité2022/02/22 11:00:00 GMT+1PageTrésor de Béhanzin – France et Bénin
https://plone.unige.ch/art-adr/cases-affaires/tresor-de-behanzin-2013-france-et-benin
En 1892, les militaires français pillent le palais de Béhanzin à Abomey afin d’asseoir le pouvoir colonialiste de la France dans la région du Bénin. Plus d’un siècle après, le Parlement français vote, par une loi de restitution dite spontanée, issue d’un projet de loi du gouvernement, la restitution de ce trésor à son pays d’origine. No publisherDeaccessionAntiquity/antiquitésSymbolic gesture/geste symboliqueUnconstrained initiative/initiative spontanéeFranceColonialism/colonialismeProcedural issue/limites procéduralesNegotiation/négociationCultural cooperation/coopération culturelleUnconditional restitution/restitution sans conditionOwnership/propriétéInalienability/inaliénabilitéBénin2022/02/14 16:55:00 GMT+1PageBuddhist Paintings – Los Angeles County Museum of Art and Jogye Order of Korean Buddhism
https://plone.unige.ch/art-adr/cases-affaires/buddhist-paintings-2013-lacma-and-jogye-order
The Los Angeles County Museum of Art (LACMA) bought four Buddhist paintings in 1998. These paintings were featured in frequent exhibitions of LACMA’s Korean art galleries until the Jogye Order of Korean Buddhism notified LACMA that the paintings were stolen. After amicable negotiation, these paintings were returned to the Jogye Order in August 2020.No publisherDeaccessionSettlement agreement/accord transactionnelArtwork/oeuvre d’artLos Angeles County Museum of Art (LACMA)Due diligenceJogye Order of Korean BuddhismSpoils of war/butins de guerreProcedural issue/limites procéduralesNegotiation/négociationCultural cooperation/coopération culturelleUnconditional restitution/restitution sans conditionOwnership/propriétéLoan/prêt2020/12/14 17:15:00 GMT+1PagePortrait of Greta Moll – Moll Heirs v. National Gallery of London
https://plone.unige.ch/art-adr/cases-affaires/portrait-of-greta-moll-2013-moll-heirs-v-national-gallery-of-london
The “Portrait of Greta Moll” has been subject to a claim for return. The heirs of the painting’s subject argued the painting was stolen in the aftermath of the Second World War and claimed that the National Gallery of London did not purchase the work in good faith. The case has been heard in two courts of the United States.No publisherPost 1970 restitution claims/demandes de restitution post 1970National Gallery, LondonDeaccessionProcedural issue/limites procéduralesMargrete MollRequest denied/rejet de la demandeCriminal offence/infraction pénaleDue diligenceStatute of limitation/prescriptionOwnership/propriétéUnited Kingdom/Royaume-UniState immunity/immunité des EtatsJudicial claim/action en justiceJurisdiction/conflit de jurisdictionArtwork/oeuvre d’artConciliationNazi looted art/spoliations naziesJudicial decision/décision judiciaireThe American Friends of the National GalleryOskar Moll2019/08/12 14:20:00 GMT+1PageBiccherna Panel – Anonymous Heirs and British Library
https://plone.unige.ch/art-adr/cases-affaires/biccherna-panel-2013-anonymous-heirs-and-british-library
In 2013, the British Library was contacted by the heirs of A.S. Drey, a Munich firm whose assets were sold off by Nazis in 1936. The heirs requested the return of the “Biccherna Panel” and lodged a claim with the UK Spoliation Advisory Panel, which found in favour of the claimants. However, following negotiations, the heirs accepted compensation in lieu of return, allowing the Biccherna Panel to remain in the British Library.No publisherNazi looted art/spoliations naziesNegotiation/négociationDeaccessionFinancial compensation/indemnisationArtwork/oeuvre d’artSettlement agreement/accord transactionnelProcedural issue/limites procéduralesBritish LibraryOwnership/propriétéUnconditional restitution/restitution sans conditionConciliationUnited Kingdom/Royaume-UniSpoliation Advisory Panel (UK)2019/08/12 10:50:00 GMT+1PageNedjemankh and His Gilded Coffin – Metropolitan Museum of Art and Egypt
https://plone.unige.ch/art-adr/cases-affaires/nedjemankh-and-his-gilded-coffin-2013-metropolitan-museum-of-art-and-egypt
The gilded Coffin of Nedjemankh, a priest of the ram-god Heryshef, was purchased in 2017 and exhibited in 2018 by the Metropolitan Museum of Art. Following an investigation by the Manhattan District Attorney’s office, the Met learned that the Coffin had been looted in 2011, during the Egyptian revolution. It also learned that it had received upon its purchase a false ownership history, fraudulent statements and fake documentation, including a forged 1971 Egyptian export license for the coffin. As such, the Met unconditionally returned the coffin to the Government of Egypt.No publisherDeaccessionCriminal offence/infraction pénaleEgypt/EgypteDue diligenceMetropolitan Museum of ArtPost 1970 restitution claims/demandes de restitution post 1970Illicit exportation/exportation illiciteUnconstrained initiative/initiative spontanéeUnconditional restitution/restitution sans condition2019/06/24 14:25:00 GMT+1PageGravures Dja Dja Wurrung – Musée de Melbourne c. Dja Dja Wurrung
https://plone.unige.ch/art-adr/cases-affaires/gravures-dja-dja-wurrung-2013-musee-de-melbourne-c-dja-dja-wurrung
Au printemps 2004, le Musée de Melbourne organise une exposition d’œuvres sur écorces aborigènes. Parmi les biens présentés figurent deux anciennes gravures sur écorces prêtées par le British Museum et les Kew Royal Botanic Gardens. La tribu australienne Dja Dja Wurrung bloque le retour de ces objets en Angleterre. Après des négociations et une médiation infructueuses avec les représentants Dja Dja Wurrung, le Musée de Melbourne intente une action judiciaire.No publisherMediation/médiationDja Dja WurrungDeaccessionJudicial claim/action en justiceRequest denied/rejet de la demandeBreach of contract/violation du contratPost 1970 restitution claims/demandes de restitution post 1970Judicial decision/décision judiciaireOwnership/propriétéMelbourne Museum/Musée de MelbourneNegotiation/négociationColonialism/colonialisme2017/11/16 12:50:00 GMT+1PageTête du roi Badu Bonsu II – Ghana et Pays-Bas
https://plone.unige.ch/art-adr/cases-affaires/tete-du-roi-badu-bonsu-ii-2013-ghana-et-pays-bas
En 1838, Badu Bonsu II, roi des Ahanta du Ghana, est condamné à mort par les autorités coloniales néerlandaises. Il sera pendu et décapité. Sa tête sera transportée aux Pays-Bas. Par la suite, un accord de restitution de cette tête sera signé à La Haye entre les gouvernements néerlandais et ghanéen ainsi qu’un représentant de la tribu Ahanta.No publisherDeaccessionGhanaSettlement agreement/accord transactionnelState responsibility/responsabilité internationale des EtatsNetherlands/Pays-BasHuman remains/restes humainsDiplomatic channel/voie diplomatiqueColonialism/colonialismeAhanta tribe/tribu AhantaNegotiation/négociationUnconditional restitution/restitution sans conditionOwnership/propriétéInalienability/inaliénabilité2017/03/20 14:35:00 GMT+1PageYoung Couple in a Landscape – Feldmann Heirs and British Museum
https://plone.unige.ch/art-adr/cases-affaires/young-couple-in-a-landscape-2013-feldmann-heirs-and-british-museum
Czech-Jewish Arthur Feldmann’s collection of drawings, including “Young Couple in a Landscape”, was illegally seized and liquidated by the Gestapo in 1939. The painting was later acquired by the collector Edmund Schilling in the 1960s, who donated it to the British Museum in 1997. Uri Peled, Feldmann’s grandson, made a claim to the drawing a few years later.No publisherDeaccessionSettlement agreement/accord transactionnelArtwork/oeuvre d’artEx gratia payment/versement à titre gracieuxDue diligenceArthur FeldmannNegotiation/négociationNazi looted art/spoliations naziesOwnership/propriétéBritish Museum2015/10/07 12:05:00 GMT+1PageDancing Shiva Statue – India and National Gallery of Australia
https://plone.unige.ch/art-adr/cases-affaires/dancing-shiva-statue-2013-india-and-national-gallery-of-australia
In 2006, New York art dealer Subhash Kapoor arranged the theft and illegal exportation of a 900-year old bronze statue of the Dancing Shiva from a small temple in Southern India. In 2008, the National Gallery of Australia bought the statue for AUD$5.6 million.No publisherSettlement agreement/accord transactionnelPost 1970 restitution claims/demandes de restitution post 1970DeaccessionNegotiation/négociationSubhash KapoorIndia/IndeAntiquity/antiquitésDue diligenceUnconditional restitution/restitution sans conditionOwnership/propriétéIllicit exportation/exportation illiciteCriminal offence/infraction pénaleDiplomatic channel/voie diplomatiqueNational Gallery of Australia2015/02/16 18:55:00 GMT+1PageBeneventan Missal – Metropolitan Chapter of the Cathedral City of Benevento and British Library
https://plone.unige.ch/art-adr/cases-affaires/beneventan-missal-2013-metropolitan-chapter-of-the-cathedral-city-of-benevento-and-british-library
On 11 November 2010, a 12th Century manuscript, also known as the “Beneventan Missal”, was returned to the Metropolitan Chapter of the Cathedral City of Benevento, in Italy. The Missal disappeared in 1943 when the city was occupied by the Allied forces during World War II.No publisherDeaccessionStatute of limitation/prescriptionSpoils of war/butins de guerreDue diligenceMetropolitan Chapter of the Cathedral City of BeneventoArtwork/oeuvre d’artUnconditional restitution/restitution sans conditionBritish LibraryInstitutional facilitator/facilitateur institutionnelConciliationSpoliation Advisory Panel (UK)2014/07/15 14:55:00 GMT+1PageInakayal Human Remains – Argentina, Museo de La Plata and Tehuelche People
https://plone.unige.ch/art-adr/cases-affaires/inakayal-human-remains-2013-argentina-museo-de-la-plata-and-tehuelche-people
Inakayal was a leader of the Tehuelche people, a native tribe of Patagonia (Argentina). In 1884, he was captured by the Argentinian army. After his death in 1888 his remains became part of the collection of the Museo de La Plata.No publisherOwnership/propriétéHuman remains/restes humainsDeaccessionUnconditional restitution/restitution sans conditionTehuelche PeopleDiplomatic channel/voie diplomatiquePost 1970 restitution claims/demandes de restitution post 1970Argentina/ArgentineMuseo de La Plata2013/04/25 09:45:00 GMT+1PageSarah Baartman – France and South Africa
https://plone.unige.ch/art-adr/cases-affaires/sarah-baartman-2013-france-and-south-africa
Sarah Baartman, a South African woman of Khoisan origin, also known as the “Hottentot Venus”, was exhibited as a freak show attraction in London and Paris in the 19th century. When she died, her body was dissected and her remains were exposed at the National Museum of Natural History in Paris.No publisherDeaccessionFranceHuman remains/restes humainsDiplomatic channel/voie diplomatiqueColonialism/colonialismeUnconditional restitution/restitution sans conditionSouth Africa/Afrique du SudInalienability/inaliénabilité2013/04/02 14:35:00 GMT+1Page17 Tasmanian Human Remains – Tasmanian Aboriginal Centre and Natural History Museum London
https://plone.unige.ch/art-adr/cases-affaires/17-tasmanian-human-remains-2013-tasmanian-aboriginal-centre-and-natural-history-museum-london
Since the 1980s, the Tasmanian Aboriginal Centre has made several requests to the Londoner Natural History Museum for the return of 17 Aboriginal human remains held in the collection of the Museum. When their dispute was brought to the Londoner High Court, the court’s judge suggested proceeding by mediation. The dispute was ultimately settled by a mediated agreement, which provided for the dismissal of the legal proceedings and for the repatriation of the remains to Tasmania.No publisherDeaccessionConditional restitution/restitution sous conditionTasmanian Aboriginal CentreJudicial claim/action en justiceColonialism/colonialismeNatural History Museum LondonMediation/médiationSettlement agreement/accord transactionnelHuman remains/restes humains2013/03/26 17:55:00 GMT+1Page