Illicit exportation/exportation illicite
Lebanese Archives – Lebanon and University of Geneva
In 2010, the University of Geneva sent to Lebanon the archives concerning the excavations conducted at Byblos, an archaeological site located in the northern part of Beirut, by the French archaeologist Maurice Dunand. The University had acquired the archives from Dunand in 1984.
Lydian Hoard – Turkey and Metropolitan Museum of Art
The Lydian Hoard is a sixth-century B.C. collection of gold and silver objects which was clandestinely excavated in Turkey in the 1960s. It was purchased by the Metropolitan Museum of Art (MET) of New York. A formal demand for its return was made by Turkey in 1986.
Manuscrit du Marquis de Sade – Héritier Nordmann et héritier de Noailles et Gérard Lhéritier
Les « Cent Vingt Journées de Sodome » du Marquis de Sade avait été dérobé à la famille de Nouailles puis acquis par un collectionneur suisse – Gérard Nordmann – qui a toujours refusé de la rendre. C’est grâce à un accord entre l’héritier des Nouailles et l’héritier Nordmann que le manuscrit a pu retourner en France, où il a été classé trésor national en 2017.
Maori Panels – New Zealand and Ortiz Heirs
In 1972, five rare Maori wooden panels were discovered in a swamp in New Zealand’s North Island. Shortly after the discovery, the panels were illegally exported out of the country by an antiquities dealer and then bought by Swiss collector George Ortiz. In 2014 New Zealand obtained the return of the Maori panels by virtue of an agreement with the heirs of Ortiz.
Matisse Painting – Jeanneret v. Vichey
A painting by Henri Matisse was unlawfully exported from Italy to New York because its owner, Anna Vichey, never acquired the mandatory export license in 1970. The painting was then sold to a Swiss art dealer named Marie Jeanneret and delivered to Geneva, Switzerland. After discovering the cloud on the title of the painting, Mme. Jeanneret was unable to sell the painting.
Morgantina Goddess Statue – Italy and J. Paul Getty Museum
An ancient statue of a goddess, which was likely illegally excavated in the late 1970s in Italy, was purchased by the J. Paul Getty Museum in 1988 for a record-setting US$18 million. That same year, Italian authorities began an investigation at the conclusion of which the Getty Museum agreed to consider returning the statue to Italy.
Murals of Teotihuacán – Fine Arts Museums of San Francisco and National Institute of Anthropology and History
In 1978, the Fine Arts Museums of San Francisco became the owner of a number of murals from the world-famous Aztec site of Teotihuacán (Mexico). The Mexican Government failed in its attempts to obtain the return of these wall paintings through a court action in the United States.
Nedjemankh and His Gilded Coffin – Metropolitan Museum of Art and Egypt
The gilded Coffin of Nedjemankh, a priest of the ram-god Heryshef, was purchased in 2017 and exhibited in 2018 by the Metropolitan Museum of Art. Following an investigation by the Manhattan District Attorney’s office, the Met learned that the Coffin had been looted in 2011, during the Egyptian revolution. It also learned that it had received upon its purchase a false ownership history, fraudulent statements and fake documentation, including a forged 1971 Egyptian export license for the coffin. As such, the Met unconditionally returned the coffin to the Government of Egypt.
One-Thousand-Five-Hundred-Pound, Hand-Carved Lintels Removed from Religious Temples in Thailand – United States of America and City & County of San Francisco
In 2017, the government of Thailand formally requested that the United States restitute two ancient stone lintels of Khmer origin that had been removed from Thai temples between 1959–1968 and acquired by the Asian Art Museum in San Francisco. From 2017 to 2020, the United States and Thailand negotiated with the Museum for the restitution of the lintels, but in October 2020, the United States sued the Museum in federal court to seek their forfeiture. In February 2021, the Museum and the United States settled the case for a conditional restitution of the lintels to Thailand.
Orpheus Mosaic – Turkey and Dallas Museum of Art
In December 2012, the Dallas Museum of Art returned to Turkey a fragment of a Roman mosaic. In addition, the parties concluded a comprehensive art exchange program.
Parrot Lady Sculpture – Canada and India
“Parrot Lady” is a 800 year old sandstone sculpture from a Khajuraho temple in India. It was returned by Canada to India in 2015 in accordance with the 1970 UNESCO Convention.
Pièces d’or géantes – Inde c. Crédit Agricole Indosuez SA
Deux pièces d’or géantes anciennes d’une valeur exceptionnelle, tant d’un point de vue économique que culturel, sont mises en gage auprès d’une Banque à Genève par le petit-fils de l’ancien Nizam de la Principauté d’Hyderabad. L’Inde introduit une action auprès des tribunaux genevois dans le but d’en obtenir la restitution.
Portrait d’Isabelle d’Este – Cecchini c. Italie
Dans le cadre d’une procédure pénale, le procureur du Tribunal de Pesaro (Italie) a adressé à la Suisse une demande d’entraide judiciaire portant sur un tableau attribué à Leonardo da Vinci qui aurait été transféré d’Italie en Suisse, par sa propriétaire, sans l’autorisation des autorités italiennes. Après avoir fait séquestrer le tableau, le Ministère public du Tessin ordonne la remise de ce dernier à l’Italie. La propriétaire de l’œuvre recourt contre cette décision jusqu’au Tribunal fédéral, qui casse la décision précédente.
Pre-Columbian Archaeological Objects – United States v. McClain
This case affirmed the conviction of several dealers who conspired to sell archaeological objects removed from Mexico in violation of the National Stolen Property Act (NSPA). Under the NSPA, it is a crime to deal in property that has been “stolen, unlawfully converted or taken, knowing the same to be stolen”.
Sevso Treasure – Lebanon et al. v. Marquess of Northampton
The Sevso Treasure was consigned at Sotheby’s by the Marquess of Northampton in 1989. Sotheby’s released a press statement which said that the treasure would not be sold until all claims against it had been dealt with. Hungary bought seven pieces of the treasure in 2014, and a further seven pieces in 2017.
Three Nok and Sokoto Sculptures – Nigeria and France
The French government bought three Nok and Sokoto sculptures from a private dealer in 1998. Soon after it obtained the consent of Nigeria on the acquisition, two of these sculptures were exhibited in the newly opened Pavillon des Sessions of the Louvre Museum.
Troy Gold – Turkey and the University of Pennsylvania Museum of Archaeology and Anthropology
In September 2012, the University of Pennsylvania Museum of Archaeology and Anthropology decided to loan indefinitely to Turkey a collection of antique jewelry that the Museum had acquired in 1966. The collection was probably illicitly excavated in Troy, a city in Northwest Turkey. In return, Turkey agreed to provide the Museum important loans and further collaboration in the field of archaeology.
Victorious Youth – Italy v. J. Paul Getty Museum
The “Victorious Youth” – a life-size bronze statue created sometime between the 4th and 2nd century BC – is at the centre of an ongoing dispute between Italy and the J. Paul Getty Museum. This statue was discovered in 1964, caught up in the nets of a fishing boat working out of the port of Fano on the Adriatic coast of Italy.
Weary Herakles – Turkey and Museum of Fine Arts Boston
The “Weary Herakles” is a Roman marble statue that was excavated in 1980 in Perge, Turkey. In 1981, the Museum of Fine Arts Boston acquired a half-interest in the upper part of the sculpture, while the other half-interest was owned by collectors Leon Levy and Shelby White.
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