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Lydian Hoard – Turkey and Metropolitan Museum of Art
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The Lydian Hoard is a sixth-century B.C. collection of gold and silver objects which was clandestinely excavated in Turkey in the 1960s. It was purchased by the Metropolitan Museum of Art (MET) of New York. A formal demand for its return was made by Turkey in 1986.
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Machu Picchu Collection – Peru and Yale University
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Between 1912 and 1916, Hiram Bingham, a history professor at Yale University, shipped to the United States several artefacts that had been excavated at the Machu Picchu site with the authorization of the Peruvian Government. Peru formally requested restitution in 1918 and 1920, but to no avail. In 2001, negotiations between Peru and Yale University resumed. However, the resulting accord discontented the Peruvian Government. As a result, Peru filed suit in the United States against Yale University seeking the return of the collection and damages.
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Madonna and Child in a Landscape – Philipp von Gomperz Heirs and North Carolina Museum of Art
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In 2000, the North Carolina Museum of Art handed over the painting “Madonna and Child in a Landscape” to Philipp von Gomperz’s heirs after being presented with evidence that it had been looted by the Nazis. The heirs rewarded the Museum’s response by selling the painting to it at a price substantially below its market value.
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Manuscrit du Marquis de Sade – Héritier Nordmann et héritier de Noailles et Gérard Lhéritier
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Les « Cent Vingt Journées de Sodome » du Marquis de Sade avait été dérobé à la famille de Nouailles puis acquis par un collectionneur suisse – Gérard Nordmann – qui a toujours refusé de la rendre. C’est grâce à un accord entre l’héritier des Nouailles et l’héritier Nordmann que le manuscrit a pu retourner en France, où il a été classé trésor national en 2017.
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Manuscrits Coréens – France et Corée du Sud
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En 1866, l’Amiral Roze entreprend une expédition punitive en Corée. A cette occasion, de nombreux biens culturels sont détruits et certains emportés. Le 7 février 2011, la France et la Corée du Sud signent un accord portant sur le prêt des archives royales à la Corée du Sud.
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Maori Panels – New Zealand and Ortiz Heirs
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In 1972, five rare Maori wooden panels were discovered in a swamp in New Zealand’s North Island. Shortly after the discovery, the panels were illegally exported out of the country by an antiquities dealer and then bought by Swiss collector George Ortiz. In 2014 New Zealand obtained the return of the Maori panels by virtue of an agreement with the heirs of Ortiz.
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Marienkirche Window Panels – Germany and Russia, State Hermitage Museum, Pushkin State Museum of Fine Arts
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In 1997, 111 panels originally forming a window of the St. Marienkirche (St Mary Church) in Frankfurt-on-the-Oder were located in the Russian State Hermitage Museum. They were brought to Russia by Soviet troops following World War II. In 2001, after difficult negotiations, Russia agreed to return the panels to Germany. In exchange, the German Government offered to finance the reconstruction of the Russian Orthodox Church of the Dormition of the Mother of God located near Novgorod. A second group of 6 panels found in 2005 in the Pushkin State Museum of Fine Arts was returned to Germany in 2008.
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Masque Makondé – Tanzanie et Musée Barbier-Mueller
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En 2010, le Musée Barbier-Mueller fait don du Masque Makondé à la Tanzanie, et met ainsi fin à un litige qui aura duré plus de 20 ans. Le litige fut porté devant le Comité intergouvernemental de l’UNESCO. L’Office fédéral suisse de la culture (OFC) est aussi intervenu.
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Morgantina Goddess Statue – Italy and J. Paul Getty Museum
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An ancient statue of a goddess, which was likely illegally excavated in the late 1970s in Italy, was purchased by the J. Paul Getty Museum in 1988 for a record-setting US$18 million. That same year, Italian authorities began an investigation at the conclusion of which the Getty Museum agreed to consider returning the statue to Italy.
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Murals of Teotihuacán – Fine Arts Museums of San Francisco and National Institute of Anthropology and History
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In 1978, the Fine Arts Museums of San Francisco became the owner of a number of murals from the world-famous Aztec site of Teotihuacán (Mexico). The Mexican Government failed in its attempts to obtain the return of these wall paintings through a court action in the United States.
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