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17 Tasmanian Human Remains – Tasmanian Aboriginal Centre and Natural History Museum London
Since the 1980s, the Tasmanian Aboriginal Centre has made several requests to the Londoner Natural History Museum for the return of 17 Aboriginal human remains held in the collection of the Museum. When their dispute was brought to the Londoner High Court, the court’s judge suggested proceeding by mediation. The dispute was ultimately settled by a mediated agreement, which provided for the dismissal of the legal proceedings and for the repatriation of the remains to Tasmania.
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Ancient Manuscripts and Globe – Saint-Gall and Zurich
Thanks to the Swiss Confederation who acted as a mediator, the dispute between the Cantons of Zurich and Saint-Gall over cultural objects displaced during the religious wars of 1712 was ultimately settled in 2006 by an inventive agreement.
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Buste de Diane – Pologne et Auktionshaus im Kinsky
En juin 2015, le Ministère de la culture polonais apprend qu’un buste de Diane, spolié durant la Seconde Guerre mondiale et disparu depuis, va prochainement être vendu à Vienne par la maison de vente Auktionshaus im Kinsky. Le Ministère contacte alors la société Art Recovery International. Avec l’aide de cette dernière et de l’Ambassadeur ainsi que du Consul général de Pologne en Autriche, le buste est restitué à la Pologne le 18 décembre 2015.
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Canon Tables – Western Prelacy of the Armenian Apostolic Church of America and J. Paul Getty Museum
The Canon Tables of the Zeyt’un Gospels were illegally separated from the manuscript sometime between 1915-1923. Having discovered that the Tables had been stolen and were held at the J. Paul Getty Museum in California, the Western Prelacy of the Armenian Apostolic Church engaged in a legal battle with the Getty regarding the restitution of the Tables. After five years, the two sides reached a settlement in 2015.
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Foxes – Grawi Heirs v. City of Düsseldorf
Kurt Grawi, a Jewish businessman, was persecuted by the Nazi regime. Before fleeing Germany, he managed to transport the painting "Foxes" to the USA, where he sold it in 1940 to secure a living for himself and his family in exile. In view of the close connection between the persecution and the sale of the painting, the German Advisory Commission recommended the restitution of the "Foxes" to the Grawi heirs. The painting was returned in January 2022.
Foxes – Grawi Heirs v. City of Düsseldorf
Kurt Grawi, a Jewish businessman, was persecuted by the Nazi regime. Before fleeing Germany, he managed to transport the painting "Foxes" to the USA, where he sold it in 1940 to secure a living for himself and his family in exile. In view of the close connection between the persecution and the sale of the painting, the German Advisory Commission recommended the restitution of the "Foxes" to the Grawi heirs. The painting was returned in January 2022.
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Gravures Dja Dja Wurrung – Musée de Melbourne c. Dja Dja Wurrung
Au printemps 2004, le Musée de Melbourne organise une exposition d’œuvres sur écorces aborigènes. Parmi les biens présentés figurent deux anciennes gravures sur écorces prêtées par le British Museum et les Kew Royal Botanic Gardens. La tribu australienne Dja Dja Wurrung bloque le retour de ces objets en Angleterre. Après des négociations et une médiation infructueuses avec les représentants Dja Dja Wurrung, le Musée de Melbourne intente une action judiciaire.
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Mandat signé par Jean Calvin - République et canton de Genève et Sotheby's
En novembre 2016, il est porté à la connaissance de l’archiviste d’État de Genève qu’un document datant du XVIe siècle et volé probablement au XIXe siècle figure sur le catalogue de la prochaine vente aux enchères de Sotheby’s à New York. Un accord d’indemnisation est signé le 1er septembre 2017 entre Sotheby’s, le possesseur et deux intervenants privés. Le même jour, un accord distinct de restitution est signé entre la République et canton de Genève, Sotheby’s et le possesseur.
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Masque Makondé – Tanzanie et Musée Barbier-Mueller
En 2010, le Musée Barbier-Mueller fait don du Masque Makondé à la Tanzanie, et met ainsi fin à un litige qui aura duré plus de 20 ans. Le litige fut porté devant le Comité intergouvernemental de l’UNESCO. L’Office fédéral suisse de la culture (OFC) est aussi intervenu.
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Nature morte au tableau de Picasso – Héritiers Schlesinger et Phillips
En 1925, Ernst Schlesinger lègue à Johanna Meyer-Udewald l’usufruit d’une toile de Picasso (« Nature morte au tableau »). De confession juive, Johanna Meyer-Udewald est faite prisonnière par les Nazis et la toile passe par diverses mains avant d’arriver dans celles de Duncan C. Phillips, qui l’acquiert sans connaître son histoire.
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