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13 Archaeological Objects – Italy and Boston Museum of Fine Arts
Between 1971 and 1999, the Boston Museum of Fine Arts acquired a number of ancient archaeological objects. Italy suspected that such antiquities had been excavated clandestinely in Italian territory and illegally exported.
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14 Archaeological Objects – Italy and Cleveland Museum of Art
On 19 November 2008, the Italian Ministry for Cultural Assets and Activities and the Cleveland Museum of Art signed an agreement concerning 14 archaeological objects in the museum’s collection. This agreement provides for the return to Italy of the artworks in exchange for loans of “a similar number of works of equal aesthetic and historical significance”.
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15 Archaeological Objects – Italy and Princeton University Art Museum
The Italian Government and the Princeton University Art Museum signed an agreement on 30 October 2007 that resolved the question of ownership of 15 archaeological objects in the Museum’s collection. This accord was the culmination of negotiations that were initiated by the Italian Ministry of Cultural Heritage and Activities following the discovery of substantial evidence demonstrating the illicit provenance of the requested antiquities.
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Ayuba Suleiman Diallo – Qatar Museums Authority and United Kingdom
The Qatar Museum’s Authority (QMA) purchased at Christie’s the painting “Ayuba Suleiman Diallo” by Hoare of Bath that was subsequently hit with a temporary export bar in the United Kingdom. The export suspension gave any interested British museum the opportunity to buy the painting within a lapse of time. The National Portrait Gallery (NPG) in London made a firm purchase offer that was refused by the QMA...
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Bible et fouet Witbooi – Namibie et Allemagne
En 2013, la Namibie a adressé à l’Allemagne une requête en restitution d’une bible et d’un fouet witbooi. Ces objets, dont était propriétaire le héros national namibien Hendrick Witbooi, ont été spoliés par les troupes allemandes en 1893, lors d’une attaque menée par ces dernières contre la ville de Hornkranz afin de taire les soulèvements de la population contre l’occupation militaire allemande. Après des années de négociation, l’État allemand a finalement accepté de rendre les objets demandés. La restitution a eu lieu le 28 février 2019, à Gibeon, berceau historique de la communauté witbooi.
Bogazköy Sphinx – Turkey and Germany
In 2011, Germany decided to conclude the long running dispute concerning the “Boğazköy Sphinx” by voluntarily transferring to the Turkish Government the title of the sculpture.
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Buddhist Paintings – Los Angeles County Museum of Art and Jogye Order of Korean Buddhism
The Los Angeles County Museum of Art (LACMA) bought four Buddhist paintings in 1998. These paintings were featured in frequent exhibitions of LACMA’s Korean art galleries until the Jogye Order of Korean Buddhism notified LACMA that the paintings were stolen. After amicable negotiation, these paintings were returned to the Jogye Order in August 2020.
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Cloche de Shinagawa – Ville de Genève et Temple de Shinagawa
En 1930, la Ville de Genève décide de restituer une cloche du XVIIème siècle au Temple de Shinagawa (Japon), son lieu d’origine. En échange, le Temple cède une lanterne en granit de forme Zendoji. En 1991, le Temple cède à Genève une réplique de la cloche en signe de reconnaissance.
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Euphronios Krater and Other Archaeological Objects – Italy and Metropolitan Museum of Art
In February 2006, the Italian Ministry for Cultural Heritage and Activities and the Metropolitan Museum of Art (MET) of New York entered into a landmark agreement with which the ownership title to the Euphronios Krater and other archaeological artefacts was transferred to the Italian Government.
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La Bergère – Meyer Heirs and Fred Jones Jr. Museum of Art
Raoul Meyer’s art collection, which included Camille Pissarro’s painting “La bergère rentrant des moutons”, was looted by Nazi troops during the occupation of France in early 1940s. Decades later, Meyer’s daughter and heir, Léone Meyer, discovered the painting at the Fred Jones Jr. Museum of Art at the University of Oklahoma, and initiated a lawsuit in the United States seeking its return. After a three-year litigation, the two sides reached a settlement in 2016. The latter was denounced by Ms. Meyer. Eventually, the lawsuit was dropped and ownership of the painting was transferred to the Fred Jones Jr. Museum of Art.
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