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Sevso Treasure – Lebanon et al. v. Marquess of Northampton
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The Sevso Treasure was consigned at Sotheby’s by the Marquess of Northampton in 1989. Sotheby’s released a press statement which said that the treasure would not be sold until all claims against it had been dealt with. Hungary bought seven pieces of the treasure in 2014, and a further seven pieces in 2017.
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Nedjemankh and His Gilded Coffin – Metropolitan Museum of Art and Egypt
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The gilded Coffin of Nedjemankh, a priest of the ram-god Heryshef, was purchased in 2017 and exhibited in 2018 by the Metropolitan Museum of Art. Following an investigation by the Manhattan District Attorney’s office, the Met learned that the Coffin had been looted in 2011, during the Egyptian revolution. It also learned that it had received upon its purchase a false ownership history, fraudulent statements and fake documentation, including a forged 1971 Egyptian export license for the coffin. As such, the Met unconditionally returned the coffin to the Government of Egypt.
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Pre-Columbian Archaeological Objects – United States v. McClain
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This case affirmed the conviction of several dealers who conspired to sell archaeological objects removed from Mexico in violation of the National Stolen Property Act (NSPA). Under the NSPA, it is a crime to deal in property that has been “stolen, unlawfully converted or taken, knowing the same to be stolen”.
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Manuscrit du Marquis de Sade – Héritier Nordmann et héritier de Noailles et Gérard Lhéritier
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Les « Cent Vingt Journées de Sodome » du Marquis de Sade avait été dérobé à la famille de Nouailles puis acquis par un collectionneur suisse – Gérard Nordmann – qui a toujours refusé de la rendre. C’est grâce à un accord entre l’héritier des Nouailles et l’héritier Nordmann que le manuscrit a pu retourner en France, où il a été classé trésor national en 2017.
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Dancing Shiva Statue – India and National Gallery of Australia
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In 2006, New York art dealer Subhash Kapoor arranged the theft and illegal exportation of a 900-year old bronze statue of the Dancing Shiva from a small temple in Southern India. In 2008, the National Gallery of Australia bought the statue for AUD$5.6 million.
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Matisse Painting – Jeanneret v. Vichey
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A painting by Henri Matisse was unlawfully exported from Italy to New York because its owner, Anna Vichey, never acquired the mandatory export license in 1970. The painting was then sold to a Swiss art dealer named Marie Jeanneret and delivered to Geneva, Switzerland. After discovering the cloud on the title of the painting, Mme. Jeanneret was unable to sell the painting.
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15 Archaeological Objects – Italy and Princeton University Art Museum
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The Italian Government and the Princeton University Art Museum signed an agreement on 30 October 2007 that resolved the question of ownership of 15 archaeological objects in the Museum’s collection. This accord was the culmination of negotiations that were initiated by the Italian Ministry of Cultural Heritage and Activities following the discovery of substantial evidence demonstrating the illicit provenance of the requested antiquities.
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Victorious Youth – Italy v. J. Paul Getty Museum
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The “Victorious Youth” – a life-size bronze statue created sometime between the 4th and 2nd century BC – is at the centre of an ongoing dispute between Italy and the J. Paul Getty Museum. This statue was discovered in 1964, caught up in the nets of a fishing boat working out of the port of Fano on the Adriatic coast of Italy.
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Aidonia Treasure – Greece and Ward Gallery
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A collection of golden Mycenaean jewellery (the Aidonia Treasure) was acquired by the Ward Gallery of New York in early 1993. Before proceeding with the purchase the Gallery made enquiries in various Mediterranean States, including Greece, to find out whether the treasure was stolen. Greece responded in the negative, but it later sued the Gallery seeking restitution.
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Ayuba Suleiman Diallo – Qatar Museums Authority and United Kingdom
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The Qatar Museum’s Authority (QMA) purchased at Christie’s the painting “Ayuba Suleiman Diallo” by Hoare of Bath that was subsequently hit with a temporary export bar in the United Kingdom. The export suspension gave any interested British museum the opportunity to buy the painting within a lapse of time. The National Portrait Gallery (NPG) in London made a firm purchase offer that was refused by the QMA...
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