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Le Grand Pont – Weinmann Heirs and Yale University Art Gallery
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The painting “Le Grand Pont”, by Gustave Courbet, was owned by Josephine Weinmann and her family, but after they were forced to flee Germany from Nazi persecution, the painting was purchased by Herbert Schaefer, a Nazi militant. When Schaefer later loaned the painting to the Yale University Art Gallery, Weinmann’s heirs sued for its return.
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La Bergère – Meyer Heirs and Fred Jones Jr. Museum of Art
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Raoul Meyer’s art collection, which included Camille Pissarro’s painting “La bergère rentrant des moutons”, was looted by Nazi troops during the occupation of France in early 1940s. Decades later, Meyer’s daughter and heir, Léone Meyer, discovered the painting at the Fred Jones Jr. Museum of Art at the University of Oklahoma, and initiated a lawsuit in the United States seeking its return. After a three-year litigation, the two sides reached a settlement in 2016. The latter was denounced by Ms. Meyer. Eventually, the lawsuit was dropped and ownership of the painting was transferred to the Fred Jones Jr. Museum of Art.
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Poster Collection – Sachs Heirs v. Foundation German Historical Museum
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Hans Sachs began collecting posters from the end of the nineteenth century. This collection was considered lost as a result of its seizure by the Nazis in 1937. In 2005, Peter Sachs, as Hans Sachs’ son and sole heir, located his father’s collection at the German Historical Museum and demanded its restitution. A judgment of the German Federal Court of Justice made possible the return of the poster collection to Peter Sachs.
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Portrait of a Youth – Reichel Heirs v. Sarah Blodgett Dunbar
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In the mid-2000s, Claudia Seger-Thomschitz, one of the heirs of Oskar Reichel, attempted to recover the painting “Portrait of a Youth” from Sarah Blodgett Dunbar on the grounds that it had been lost as a result of Nazi persecution. The 2010 appeal decision of the United States Fifth Circuit Court of Appeals settled the case in favour of Sarah Blodgett Dunbar.
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Deux cavaliers sur la plage – Héritiers Friedmann, Kunstmuseum de Berne, République fédérale d’Allemagne et Etat libre de Bavière
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En 1942, le marchand d’art Hildebrand Gurlitt reçoit le tableau Deux cavaliers sur la plage de Max Liebermann qui a été spolié au collectionneur juif David Friedmann. Il meurt en 1956 et son fils Cornelius hérite de sa riche collection d’œuvres. La collection est découverte par hasard en 2012 et conservée secrètement par les autorités allemandes afin de déterminer l’origine des objets.
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Vallée de la Stour – Héritiers Jaffé et La Chaux-de-Fonds
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En 2006, la Ville de La Chaux-de-Fonds reçoit une demande de restitution pour le tableau « La Vallée de la Stour » de John Constable exposé au Musée des beaux-arts de La Chaux-de-Fonds. Le requérant représente les ayants droit héritiers de John et Anna Jaffé, dont les biens, y compris ce tableau, ont été spoliés par les Nazis durant la Deuxième Guerre mondiale. Après avoir d’abord refusé, la Ville accepte de restituer le tableau à l’automne 2017 suite à une procédure de conciliation judiciaire. Le Tableau est restitué aux héritiers le 12 mars 2018.
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Sumpflegende – Héritiers Lissitzky-Küppers et Ville de Munich
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Après 25 ans de litige juridique et de négociation, le sort de « Sumpflegende », un tableau de Paul Klee prêté à une galerie allemande en 1926 puis confisqué par les Nazis au titre d’art « dégénéré », est scellé. En juillet 2017, les héritiers de Sophie Lissitzky-Küppers, laquelle avait prêté le tableau, concluent un accord avec la Ville de Munich et une fondation privée. L’œuvre reste exposée dans un musée munichois et les héritiers Lissitzky-Küppers sont indemnisés.
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Six Klimt paintings – Maria Altmann and Austria
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Maria Altmann brought suit in the United States against the Republic of Austria and the Austrian National Gallery to recover six paintings by Gustav Klimt that the Nazis took during the Second World War from her Jewish relatives, Ferdinand and Adele Bloch-Bauer. Although the Supreme Court of the United States lifted Austria’s jurisdictional immunity, the disputants reached an agreement to end the litigation and submit the dispute to arbitration in Austria. The arbitration panel ruled that Austria was obliged to return five of the Klimt’s masterpieces to Maria Altmann.
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Herzog Collection – De Csepel et al. v. Republic of Hungary et al.
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The “Herzog Collection” was originally an assembly of over two thousand works of art, collected by Baron Mór Lipót Herzog in the early 1900s. During World War II, the collection was seized by the Hungarian government, under Nazi orders. For the last seven decades, the Herzog Heirs have attempted to reclaim the Collection from the Republic of Hungary, without success. Now, the Herzog Heirs are taking their claim to the United States Supreme Court.
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The Actor – Leffmann Heir v. Metropolitan Museum of Art
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Before the Second World War, Paul and Alice Leffmann, a couple of German Jews, fled Germany to Italy and then to Brazil. To be able to leave Europe, they sold the painting “The Actor” by Picasso to three art dealers for a fraction of its market value. In 1939, one of the dealers sold the painting to Thelma Foy. Several years later, Thelma Foy donated the painting to the Metropolitan Museum of Art (MET) of New York. In the 2010s, the great-grandniece of Paul and Alice Leffmanns sued the MET to retrieve the painting.
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