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14 Archaeological Objects – Italy and Cleveland Museum of Art
On 19 November 2008, the Italian Ministry for Cultural Assets and Activities and the Cleveland Museum of Art signed an agreement concerning 14 archaeological objects in the museum’s collection. This agreement provides for the return to Italy of the artworks in exchange for loans of “a similar number of works of equal aesthetic and historical significance”.
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La Bergère – Meyer Heirs and Fred Jones Jr. Museum of Art
Raoul Meyer’s art collection, which included Camille Pissarro’s painting “La bergère rentrant des moutons”, was looted by Nazi troops during the occupation of France in early 1940s. Decades later, Meyer’s daughter and heir, Léone Meyer, discovered the painting at the Fred Jones Jr. Museum of Art at the University of Oklahoma, and initiated a lawsuit in the United States seeking its return. After a three-year litigation, the two sides reached a settlement in 2016.
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Waurà Indians Collection – Museum der Kulturen Basel, Penteado Coelho Heirs and Museu de Arqueologia e Etnologia Universidade de São Paulo, Waurà Indians
Vera Penteado Coelho, a Brazilian ethnologist, bequeathed to the Museum der Kulturen Basel her collection of Waurà cultural objects. Following opposition from the Waurà Indians and the Museu de Arqueologia e Etnologia Universidade de São Paulo, the Basel Museum entered into negotiations to allow the collection to remain in Brazil. Eight years later, in 2008, the collection was donated to the São Paulo Museum.
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Murals of Teotihuacán – Fine Arts Museums of San Francisco and National Institute of Anthropology and History
In 1978, the Fine Arts Museums of San Francisco became the owner of a number of murals from the world-famous Aztec site of Teotihuacán (Mexico). The Mexican Government failed in its attempts to obtain the return of these wall paintings through a court action in the United States.
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Orpheus Mosaic – Turkey and Dallas Museum of Art
In December 2012, the Dallas Museum of Art returned to Turkey a fragment of a Roman mosaic. In addition, the parties concluded a comprehensive art exchange program.
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Troy Gold – Turkey and the University of Pennsylvania Museum of Archaeology and Anthropology
In September 2012, the University of Pennsylvania Museum of Archaeology and Anthropology decided to loan indefinitely to Turkey a collection of antique jewelry that the Museum had acquired in 1966. The collection was probably illicitly excavated in Troy, a city in Northwest Turkey. In return, Turkey agreed to provide the Museum important loans and further collaboration in the field of archaeology.
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15 Archaeological Objects – Italy and Princeton University Art Museum
The Italian Government and the Princeton University Art Museum signed an agreement on 30 October 2007 that resolved the question of ownership of 15 archaeological objects in the Museum’s collection. This accord was the culmination of negotiations that were initiated by the Italian Ministry of Cultural Heritage and Activities following the discovery of substantial evidence demonstrating the illicit provenance of the requested antiquities.
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Ayuba Suleiman Diallo – Qatar Museums Authority and United Kingdom
The Qatar Museum’s Authority (QMA) purchased at Christie’s the painting “Ayuba Suleiman Diallo” by Hoare of Bath that was subsequently hit with a temporary export bar in the United Kingdom. The export suspension gave any interested British museum the opportunity to buy the painting within a lapse of time. The National Portrait Gallery (NPG) in London made a firm purchase offer that was refused by the QMA...
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Manuscrits Coréens – France et Corée du Sud
En 1866, l’Amiral Roze entreprend une expédition punitive en Corée. A cette occasion, de nombreux biens culturels sont détruits et certains emportés. Le 7 février 2011, la France et la Corée du Sud signent un accord portant sur le prêt des archives royales à la Corée du Sud.
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Cloche de Shinagawa – Ville de Genève et Temple de Shinagawa
En 1930, la Ville de Genève décide de restituer une cloche du XVIIème siècle au Temple de Shinagawa (Japon), son lieu d’origine. En échange, le Temple cède une lanterne en granit de forme Zendoji. En 1991, le Temple cède à Genève une réplique de la cloche en signe de reconnaissance.
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