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Parrot Lady Sculpture – Canada and India
“Parrot Lady” is a 800 year old sandstone sculpture from a Khajuraho temple in India. It was returned by Canada to India in 2015 in accordance with the 1970 UNESCO Convention.
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Young Couple in a Landscape – Feldmann Heirs and British Museum
Czech-Jewish Arthur Feldmann’s collection of drawings, including “Young Couple in a Landscape”, was illegally seized and liquidated by the Gestapo in 1939. The painting was later acquired by the collector Edmund Schilling in the 1960s, who donated it to the British Museum in 1997. Uri Peled, Feldmann’s grandson, made a claim to the drawing a few years later.
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Le Grand Pont – Weinmann Heirs and Yale University Art Gallery
The painting “Le Grand Pont”, by Gustave Courbet, was owned by Josephine Weinmann and her family, but after they were forced to flee Germany from Nazi persecution, the painting was purchased by Herbert Schaefer, a Nazi militant. When Schaefer later loaned the painting to the Yale University Art Gallery, Weinmann’s heirs sued for its return.
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Durga Idol – India and Germany
In the 1990s, a 10th century idol representing the Indian Goddess Durga was reported as stolen from a temple in Tengpora, Pulwana in the state of Jammu and Kashmir in India. The idol was found at the Linden Museum in Stuttgart in 2012. After presenting the evidence of its provenance, the idol was returned to India on “ethical grounds”.
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Canon Tables – Western Prelacy of the Armenian Apostolic Church of America and J. Paul Getty Museum
The Canon Tables of the Zeyt’un Gospels were illegally separated from the manuscript sometime between 1915-1923. Having discovered that the Tables had been stolen and were held at the J. Paul Getty Museum in California, the Western Prelacy of the Armenian Apostolic Church engaged in a legal battle with the Getty regarding the restitution of the Tables. After five years, the two sides reached a settlement in 2015.
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3000 Archeological Objects – China and Two British Dealers
On 10 February 1998, the Chinese government and two British dealers signed an out-of-court agreement that resolved the question of ownership of over 3000 archaeological objects. Most probably these were transferred to the United Kingdom through illegal excavation and trafficking.
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La Bergère – Meyer Heirs and Fred Jones Jr. Museum of Art
Raoul Meyer’s art collection, which included Camille Pissarro’s painting “La bergère rentrant des moutons”, was looted by Nazi troops during the occupation of France in early 1940s. Decades later, Meyer’s daughter and heir, Léone Meyer, discovered the painting at the Fred Jones Jr. Museum of Art at the University of Oklahoma, and initiated a lawsuit in the United States seeking its return. After a three-year litigation, the two sides reached a settlement in 2016. The latter was denounced by Ms. Meyer. Eventually, the lawsuit was dropped and ownership of the painting was transferred to the Fred Jones Jr. Museum of Art.
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Deux cavaliers sur la plage – Héritiers Friedmann, Kunstmuseum de Berne, République fédérale d’Allemagne et Etat libre de Bavière
En 1942, le marchand d’art Hildebrand Gurlitt reçoit le tableau Deux cavaliers sur la plage de Max Liebermann qui a été spolié au collectionneur juif David Friedmann. Il meurt en 1956 et son fils Cornelius hérite de sa riche collection d’œuvres. La collection est découverte par hasard en 2012 et conservée secrètement par les autorités allemandes afin de déterminer l’origine des objets.
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Morgantina Goddess Statue – Italy and J. Paul Getty Museum
An ancient statue of a goddess, which was likely illegally excavated in the late 1970s in Italy, was purchased by the J. Paul Getty Museum in 1988 for a record-setting US$18 million. That same year, Italian authorities began an investigation at the conclusion of which the Getty Museum agreed to consider returning the statue to Italy.
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Sumpflegende – Héritiers Lissitzky-Küppers et Ville de Munich
Après 25 ans de litige juridique et de négociation, le sort de « Sumpflegende », un tableau de Paul Klee prêté à une galerie allemande en 1926 puis confisqué par les Nazis au titre d’art « dégénéré », est scellé. En juillet 2017, les héritiers de Sophie Lissitzky-Küppers, laquelle avait prêté le tableau, concluent un accord avec la Ville de Munich et une fondation privée. L’œuvre reste exposée dans un musée munichois et les héritiers Lissitzky-Küppers sont indemnisés.
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